17th of Oct 2014:

Meghan Trainor celebrates a second week at the top with her anthem All About That Bass. It is only the second but the last time a female artist did so was back in spring 2013 when P!NK had a two weeks run at the top with Just Give Me A Reason. Of course she duetted for that song with Nate Ruess of FUN.–so half of the work probably the male singer did.
A real solo number one for at least two weeks by a female was last achieved by R(ihanna) and her Diamonds at the tall end of 2012.

The highest new entry comes from AVICII who offers a completely new track with The Days. Only once a track by him entered the German list straight at the Top 10. It was 2011 single LE7ELS which never rose further than the entry position at number 6.

It is again time for the Supertalent. The second casting show by Dieter Bohlen every year in autumn launches some short flash hits and more and more overturns the direct chart success of his classic DSDS format. The second show of the current Supertalent season boosts Austrian Andreas Gabalier back to the charts. His Amoi seg' ma uns wieder got first popularity in May this year when Xavier Naidoo staged with the song on Sing meinen Song. Back than the original charted at number 18 and spent 21 weeks inside the charts disappearing just a fortnight ago. Now a contestant chose the song on the Supertalent show and Amoi seg' ma uns wieder shoots to number 9 which is far and away the best chart place Andreas Gabalier ever achieved. Of course in his home country the singer already has a number 1 under his belt and the song reached number 3.


Tracks On The Rise
The gainer that can land highest in the list is Sun Goes Down–the new offering by Robin Schulz accompanied by Jasmine Thompson. It stops this week at number 14 right behind former No.1 hit Prayer in C. It is now the DJ's third Top20 hit in 2014.

With release of the album Strut also the latest single by Lenny Kravitz can get a sales boost. Chamber goes 31–17 giving the artist his first Top20 appearance since 2008.



Planned as the comeback of the year (or the decade?) the return of Tokio Hotel is a bit annoying. Its album Kings of Suburbia is the first one that misses number 1 in Germany. Also the single Love Who Loves You Back stalls at a very low number 38 after a respectable leap over 56 places. Probably the track will tumble down in next weeks time dramatically.

With the proper music video online (and on TV) Animals by Maroon 5 gets good support. The track goes 64–41 in its fourth chart week.

Hot Spot 11-01-13

And again Germany does have a new Number 1 hit this week. It is Sweden’s new super DJ/producer AVICII who can set a second track at number 1 this current year. Hey Brother is the track in question – still a week before its release on single CD.

Having two No.1 singles is a feat not that usual in Germany – in 2013 we have this situation already for the second time. In June there was Pharrell Williams credited as an artist for two consecutive Nr.1 hits: First he entered the top alongside Daft Punk on Get Lucky. A fortnight later he was also credited on Robin Thicke's Blurred Lines.

Two No.1 hits as a main artist – that's a feat we've last seen in 2009 when Lady Gaga had her hiatus with Poker Face collecting 13 weeks at the Top followed by Paparazzi 15 weeks later.

Watching two artists topping the list twice in a year is a feat much harder to find. In 2008 Katy Perry managed a double with I Kissed A Girl in September and Hot N Cold in December and Timbaland topped the list with Apologize (presenting OneRepublic) and was the man behind 4 Minutes performed and credited to Madonna & Justin (Timberlake). In 2003 we had two main acts having two No.1 hits: first superstar Alexander shot to the Top with Take Me Tonight and Free Like The Wind and The Black Eyed Peas launched Where Is The Love? and Shut Up becoming No.1 hits.

More statistics? AVICII only is the sixth act in this current decade with two No.1 hits. - Three weeks in a row with a completely new track at the Top was last seen in October 2009 when RAMMSTEIN (Pussy) was dethroned by David Guetta Feat. Akon (Sexy Bitch) who were dethroned by Lady Gaga (Paparazzi) who left the Top spot for Robbie Williams (Bodies) after a single week.

Finally I can tell you that 2013 is the second consecutive year that two Swedish productions occupy the Top – meaning Swedish music is popular in Germany than never before. Even between 1991 and 1995 when six different Swedish productions went to Number 1 the time span between that hits where much longer than right now. So it is no surprise realizing the fact that according to number 1 hits only music coming from the USA is more successful in Germany right now.

Talking bout AVICII also leads to a note concerning the voice of Wake Me Up!. Aloe Blacc released an own take on the tune that now enters at number 71. Probably that version won't go number 1 – at least it gives the singer his third official chart entry.



There are some other stories too: The most successful German act in this very moment is the duo Milky Chance. After releasing their album Sadnecessary on CD the track Stolen Dance can climb three more places to number 4 becoming the highest ranking German production since three months. The track itself is available as a digital download only.

After the album Unholy Ground by Sunrise Ave is released and gets number 3 in the album list the single Lifesaver also becomes a Top 10 hit by bouncing 22–9 this week. It is the highest position for the band since it went No.3 two and a half years ago with Hollywood Hills. In reminiscence of that big success the song re-enters at number 36 which marks the highest position for it since two years. The initial success for the band Fairytale Gone Bad from 2006 also can re-enter. It lands at number 46 in its 71st chart week which is actually number 19 of most charted acts.


Justin Bieber surely wants to become the most charting act in 2013. Since three weeks he has started releasing every Friday a new song. The tracks also chart in Germany – of course the target group is a very narrow one, so the tracks leave the list very fast. This week the teenie star manages a double entry. His own new song Hold Tight starts at number 56, the collaboration with TYGA Wait For A Minute shows up at number 63. So far Justin Bieber set up seven different tracks in 2013. Only Flo Rida, Pitbull and - yes - Helene Fischer so far brought more into the list. His summary for the whole decade is 17 – making him the fifth busiest act so far.


Upcoming hits:
New York, Rio, Rosenheim - the title track of the album by Sportfreunde Stiller starts to climb up the charts after the band's tour started a few days ago. This week the song not scheduled for a proper single release stops at number 62.

Scheduled for full release on 2nd November Mark Forster's new single Zu dir (Weit weg) enters the list at number 64.

Probably not really a big future hit Dark Horse by Katy Perry Feat. Juicy J enters at number 81 picked as a single track from freshly released album Prism. In the USA the track was the first promotional track offered in September. In Germany one had to wait till now.


Casting show effects
The current season of The Voice Of Germany just started a few weeks ago. Again Hoss Power and Boss Burns of The BossHoss are part of the jury. In time the band released a new album (Flames Of Flames) and a single (Do It). Latter one sneaks around number 35 for some weeks meanwhile the band's signature song Don't Gimme That returns into the list at number 76.

Max Herre does similar. His biggest hit Wolke 7 returns at number 88.

Also Das Supertalent bans people in front of their TV's. The fourth show aired on 20th October supports songs of Helene Fischer (#74) and Philipp Poisel (#83 + #97).

06-12: TVoG still spills the charts

Michel Teló stands as the number one star with his anthem Nooosssaa! Ai Se Eu Te Pego! for a second week.

The big impacts once again are brought by The Voice of Germany. Two weeks before the final the power of the show is still unbeaten.

Bouncing back into the Top 10 and reaching a new peak at number 6 Troublemaker by Taio Cruz benefits heavily from his appearance on the show on January 27th. He opened the Live Show number 5 with all twelve contestants that were in the race back than.

Coach and juror Rea Garvey launched his new single two weeks before the final and of course he was performing the song Colour Me In on the show too. As a result the single flies to number 12–the highest rank Rea Garvey could achieve as an solo-artist ever. And the highest since his band Reamonn reached number 6 in 2008 with Through The Eyes Of A Child. Of course once he was (unofficially) credited for a number 1 hit when his voice appeared on a version of All Good Things (Come To An End) with Nelly Furtado that was available in Germany on the single CD as a bonus track.



Best performing candidate from the show was surprisingly Sharron Levy. The Israel native staged with the number 1 hit Somebody That I Used To Know turning it into an rock driven ballad that brings her a number 26. Maybe that’s the start of an career besides a big major deal.



All others from the show end further down. Kim Sanders–finally the runner’s up finalist–sets her second show entry as number 54. Empire State Of Mind (Part II) was a sleeping hit originally recorded by Alicia Keys. It reached number 35 back in 2010 and spent so far 48 weeks inside the charts. Of course that version is back in the list too. It comes in short of Kim Sanders’ take at number 58. Part I featuring JAY-Z & Alicia Keys together re-appears at 84.

Third at the end–third two weeks before the final contestant Michael Schulte seems to be one of the most constant participants on the show. He performed Video Games still at number 3 in the version of Lana Del Rey. His take can reach number 66 giving him a second chart entry.



Behnam Moghaddam was a big aspirant for the final until he performed Eleanor Rigby as an explosive rock piece which made coach Xavier Naidoo shooting him off the show. A lot of fans were shocked according to many sites and forums–commercially the take on the well known tune of The Beatles ranks at number 75–indeed a weak result for Behnam. The song itself had a hidden chart life in 1966. Officially the track was released in combination with Yellow Submarine as a double A side single in Germany too. The official charts list only Yellow Submarine although.

A very similar story can be told about Percival–the second big aspirant. He staged Beautiful on the show January 27th. The song made famous by Christina Aguilera reached number 4 in Germany in 2003. The version of Percival is much more a rough ballad. Coach Rea Garvey was not really convinced–neither was the audience. Beautiful stucks at number 77.




Best CD start without TV show support comes from Marlon Roudette. His Anti-Hero (Brave New World) was available before as digital single and now jumps 19–7 with physical sales counting.

German Deichkind is back. After the release of their last album Arbeit nervt (Work Sucks) producer Sebi Hackert died and there was a uncertainty about the further existence of the project. Fortunatly the guys decided to continue. Bück dich hoch (Stoop Up) is the pre-release from upcoming album Befehl von ganz unten (Order From Down Below) – it continues the story of Arbeit nervt forcefully. In my opinion it critisizes actual politics and financial crisis in a much smarter way than other pop products try to do. Starting its chart life at number 17 after released online the single is so far the second best performing of Deichkind and only the second to reach the Top 20. 12 years ago they managed to do so with their chart debut Bon Voyage.



Supported by the release of their twelfth album named simply Volume 12 The Disco Boys see their cover of Around The World rising to number 31.

Also the winner of Das Supertalent 2011 Leo Rojas offers an album. Spirit Of The Hawk storms the album list at number 2. Leading single Ele condor pasa (only available digitally) can enter the singles list at 82. The tune became popular in 1970 when Simon & Garfunkel added some lyrics and recorded that version. It entered the Number 1 in Germany for 7 weeks and ended as the most sold single of the year. The same year a few instrumental versions charted also–most known probably the one of Facio Santillan that reached number 9 in September 1970.



Last new entry is the new single of De Randfichten (The edge spruces). They try to get some attention in carneval season with Du kleine Fliege (You, little fly). It is a very simple song for drunken people who love singing stupid lyrics while drinking more … Number 96 is the result so far.




In The end let’s tell you about the strangest chart move of the week at last: Wiz Khalifa drops back 91–71 with his hit Black And Yellow for what reason ever. I can’t explain but I like it.

Christmas Carols And TV Castings

The last chart week of the year and we do have a new number 1. As some digital sales analysts reported a week ago Australian Gotye climbs to number 1 in Germany. Somebody That I Used To Know is the 15th and last number 1 single this year. So we had two number one hits more than in 2010 and the same amount as in the two years before. It is also the sixth debut single of an artist that can climb to number 1 in 2011. And it is a number one coming from an Australian act after a one year break. In December 2010 it was Empire Of The Sun who reached the top spot with We Are The People after its use as a commercial soundtrack. Taking in consideration that Gotye is a native Belgian he is the first Belgian artist at number 1 since March 2010 when Stromae occupied the top position for two weeks with Alors On Danse. By the way: it was the debut single for Stromae also – since his number 1 hit nothing more from him poped in the list. Accompanying Kimbra is the first artist from New Zealand reaching the German top.

The success of Gotye comes due to the release of the physical CD single on Decmeber 16th as well as due to the use of the track for advertising the Christmas programme of TV channel Pro7.

A significant move is made by Lady Gaga Superstar. She is more a performance and video star than a musical genius. The video for Marry The Night was released beginning of December simultaneaously with the CD and finally the track sales increases slowly. This week it reaches number 17 giving her a 10th Top 20 hit – it’s only the third to miss the Top 10.


The recent list is reflecting sales in the week just before Christmas, so let’s have a look at the annual Christmas carols. There we can witness a change: the most popular Christmas song this year is in fact All I Want For Christmas Is You by Mariah Carey. It beats out the long time favourite Last Christmas by Wham! narrowly as it sits one place ahead of Wham! at number 24. It is the highest rank the song can reach since 2008 when it rose to number 18. The past two years it stalled at number 28 respectively number 38. The new interest is caused by a newly recorded version featuring Justin Bieber as duetting partner. Unfortunately the charts do not list the versions separately due to te fact that the duet is only a B-side. Anyway according to iTunes the original version recorded in 1994 is the still the most popular. Number 3 of the Christmas anthems is – like the years before – Wonderful Dream (Holidays Are Coming) offered by Melanie Thornton.


Looking at the list we can see that well known hits of the past months rise again up the list. Rosenstolz Wir sind am Leben reverts 55–45, Still by Jupiter Jones rises 59–46 . It is given that next week this trend will be even stronger.


German hits: Most sold German song is still Cello performed unplugged by Udo Lindenberg feat. Clueso (number 9). All other German productions are far and away behind that leader. Tim Bendzko ranks with Nur noch kurz die Welt retten (Just To Save The World) at 27 in its 30th chart week, Glasperlenspiel (Glass Bead Game) with Echt (Pure) rises again to number 28.

The highest new entry is a German one although it comes in only at number 48. It is the winner of talent casting show Das Supertalent. In fact Leo Rojas is a street musician from Ecuador. On the TV final the reunion with his mother was well set – the TV nation spent all emotions and voted the nai (pan flute) player for the win. As an effect his winning track Einsamer Hirte / The lonely shephard can enter the sales charts too.



It is kind of cynical that Leo Rojas is the celebrated one – hundreds of similar musicians ain’t recognized in German daily life. Probably that’s part of the business. Back to the music itself: Einsamer Hirte is a well known tune. In 1977 it became popular by James Last & Gheorghe Zamfir and reached number 22 in Germany. In 2003 the recording was used as the closing track in Quentin Tarantino’s movie Kill Bill Vol.I.

With Leo Rojas entering the list Germany sees two South Americans within the list. Brazilian Michel Telé jumps 49–26 with his soccer anthem Nooosssaa! Ai Se Eu Te Pego!.


Casting fever still burns for The Voice Of Germany. The live show from Friday, December 16th saw Lena Sicks battling against Heiko Schmidt. Both had to perform Eisberg (Iceberg) originally recorded by newcomer Andreas Bourani. The track re-enters at number 59. – Battle number two with huge emotional potential: Lisa Martine Weller versus Marijana Vuckovic. The song to perform was Another Way To Die made famous by Jack White & Alicia Keys for the soundtrack of the James Bond movie Quantum Of Solace from 2008. Winner of the showdown was Lisa Martine Weller – the track surprisingly re-enters the list at number 65. It is the 19th chart week for the song that climbed to number 8 in late 2008. I call that re-appearance surprisingly cause the track is mentioned as very inconvenient and hard to love since it was presented for the first time. Plus it is a three years old track – usually older songs only have a chance in the sales charts if they are performed by an very adored participant or the winner itself. Well, that might be a sign for meeting Lisa Martine again at the final shows…

Another movie track was the most touching a day before at live battle show number 1: Falling Slowly from the 2006 Irish movie Once that was awarded with an Oscar for the Best Song in 2008. Michael Schulte was the one who one the battle in the TV show with the song – the original was recorded by Glen Hansard & Markéta Irglová who both are now newcomer to the German charts – well, Glen Hansard had came already once in touch with the list as cast member of 1992 movie The Commitments.

Battle number 2 on that Thursday: Alicia Emmi Berg versus Kim Sanders. Both had to perform Only Girl (In The World). Kim Sanders (known from collaborations with Culture Beat, Schiller or Heppner) was chosen as the winner – original interpretation by Rihanna is back at 100.

Last TV influenced re-entry. Friday 16th again – different channel – completely different audience. The NDR Talkshow is watched by more older and intellectual people. Within the last show French ZAZ perforemde her hit je veux and unbelieveably as it seems – there are still enough people who didn’t had the song in their collection. So a new demand arose throwing ZAZ back in the list at number 60 which is her 41st chart week at all.


And now ... for all you – especially the many Russian speaking readers – I wish you a Happy New Year – С новым годом

Casting shows and other TV related hits

This is the Christmas issue of the German charts. Well – and it brings a really romantic and blue touch. Lana Del Rey sits a third week pretty at number 1 with her Video Games – Blue Jeans single. The only one coming close to her position is Australian Gotye whose Somebody That I Used To Know rises 6–2 and matches the mood of the number 1 hit.

The main gainers of the week come due to recently aired casting shows on TV. Most popular is Jar Of Hearts by Christina Perri. The track gots its boost from a performance of 13year old Lukas Mattioli within the semi final of the Supertalent. The audience of the show voted him off the stage – the track he performed jumps 22–13.

Second winner of the semi final is piano player Jörg Berreten from Switzerland. He played Comptine d’une autre été, l’après midi from the French movie Le fabuleux destin d’Amélie Poulain (english title: Amélie). The track – which is available as an digital album track only – re-enters the list for a 7th week.

The other big show actually on TV is The Voice of Germany. Here the biggest winner is Nur in meinem Kopf (Only In My Head) by Andreas Bourani. It is back in the list due to the performance of Stefan Zielasko. The track already had a 28 weeks long chart career, two weeks ago it was listed last time – now it jumps back to number 31. Stefan Zielasko is not a new one for casting show watchers. He competed at the fourth season of Popstars in 2004. Back than he missed being part of final band cast for Nu Pagadi. Right after the show there was a small media turbulence about that fact – in the show Stefan Zielasko pretended to never performed before on stage.

Another contestant caused the re-entry of Halt dich an mir fest in the version of Revolverheld feat. Marta Jandová from Die Happy. It was Berlin Hermann Muralev who got at first a ticket for the next round at December 9th show. Almost exactly a year ago the track started at number 8 which was the highest place it ever reached – 45 weeks it was listed, now it adds a week more.


A jumper back into the Top 20 is Paradise by Coldplay. It takes a 27–14 leap in its 13th chart week – me actually don’t know why. Probably it fits very well to the romantic pre-Christmas feeling.



Best German new entry and best new entry but far and away from the best sold German track is Casper’s new single Auf und davon (Up and away). It lands at number 42 – going back to the best sold German track: it is still Cello by Udo Lindenberg feat. Clueso at number 9.



A second new German track with a strong link to the Voice of Germany show comes in at number 76. A half of the jury – The BossHoss & Nena – recorded a version of Nat King Coles famous L.O.V.E.. The track is part of BossHoss’ album Liberty Of Action and actually is used for the soundtrack of the new Matthias Schweighöfer movie Rubbeldiekatz (Rubthecat) . The track is available as a single a week before the movie started in theatres. So number 76 probably is not the end of the story.

Although L-O-V-E is a very famous tune covered by a lot of artists and used for commercials as well (last time around 2008) it never was a chart hit nor in Germany neither in Switzerland or Austria. A version by Joss Stone entered the Swiss charts in 2007. The recording by The BossHoss & Nena is the first time the track is listed. – Nena with this new entry matches the amount of the chart hits The Beatles had in Germany.



The original Jazz version by Nat King Cole



Latest German new entry is brought by Söhne Mannheims. Für dich is the third lift from their latest album Barrikaden von Eden (Barricades Of Eden). It is a very weak appearance the single shows, matching the result of 2001 single Power Of The Sound. Probably the audience is facing the complexity of the reality and doesn’t believe in the promises of a simplier society anymore.




More new or re-entries related to media/TV appearances:

Australian band Gypsy & The Cat became popular in German speaking countries after their Jona Vark was used as background tune for VIVA’s own spots. Now they signed the next TV commercial deal. Time To Wander is used for a Vodafone commercial. Now they are more popular in Germany than in their home country Australia.



The full song

Finally Die ultimative Chartshow was celebrating its 100th show. Host Oliver Geißen invited to homage the most loved songs of the Germans at December 9th. The most loved (and voted) song was Earth Song by Michael Jackson, number 2 – with a live performance in the show – UNHEILIG and Geboren um zu leben (Born For Living). After the airing the song is back in the sales list although it was already listed for 94 consecutive weeks. Only Heavy Cross by Gossip had two weeks more. Now the track adds a week more – probably it will left the list soon – making him the 4th longest runner of all times behind Heavy Cross (96 weeks), Last Christmas (97 weeks and actually number 30) and Ein Stern (der deinen Namen trägt) (A Star (Named After You) (106 chart weeks). In March 2012 the new album of UNHEILIG will be spreaded – it will be hard work continuing the huge success of the predecessor.

Number 24 at the TV show’s list is a longtime seller again: Run made popular by Leona Lewis. Exactly three years ago the song was listed for the first time. The big boost came in October/November 2010, when the song made number 3 after a performance by a contestant at the Popstars show. Since than it was listed 62 consecutive weeks – popping up the charts several time after further performances in casting shows. Last week it finally dropped out the list and now re-enters at number 85 after Leona Lewis appeared on TV again. It is the 93rd week for the female version. The original offered by Snow Patrol only one week appeared in the list.

New German Releases Appear

Once again Rihanna serves the top single of the week. We Found Love holds the third week there – it is now the second longest stand for a Rihanna-track at the top. The crown of being the most durable Nr.1 goes to Umbrella that had a five weeks run at the top in June 2007.


I was talking 'bout fading German releases last week. This week everything changes rapidly by the latest single releases from Udo Lindenberg’s and culcha candela. Let's start with veteran singer who is very successful with his MTV unplugged – Live aus dem Hotel Atlantic album. The song in question – Cello – was originally released in 1973 with the album Alles klar auf der Andrea Doria (Everything's going right at Andrea Doria). Although it became the most popular song of the album besides the title track it was never released as a single. Now it enters the list at number 4 giving Udo Lindenberg the highest chart place ever as a solo artist. So far Sonderzug nach Pankow (Special Train Service To Pankow – Pankow is a quarter within the eastern part of Berlin) from 1983 – a cover version of Chattanooga Choo Choo with political cold war lyrics – held that crown by reaching number 5. Only once Udo Lindenberg saw himself higher in the singles’ ranking. It was in 1985 when the benefit projekt Band für Afrika he was joining climbed to number 3 in Germany.



Naming Udo Lindenberg as one of the most famous German artists today refers almost only to his album releases. The new version of Cello is only the third single that can reach Top 10 status. That's quite strange due to the fact that a lot of his songs (including Cello) are enormously popular.

Duetting partner at Cello is singer Clueso. His biggest hits so far were Keinen Zentimeter (Not A Single Centimeter) in 2008 and Gewinner (Winner) in 2009 that reached number 15 and 21. The collaboration with the senior star gives the young man from Erfurt his first ever Top 10 hit and probably a chance to reach a bigger audience. The album list already saw Clueso twice close to the top. As an effect of his performance side by side with Udo Lindenberg one of his very first singles is back in the list. chicago from 2006 appears for a week at position 100.


14 places behind Lindenberg/clueso another German act enters the list. culcha candela promotes its fifth studio album named Flätrate (you already guessed what it means) by releasing the single Hungry Eyes. It is another song about the female vamp searching for helpless men. Strange phantasies the boys hanging on … so far the mainstream audience is attracted by sound and story …



Let's mention here the third best sold German song of the week. It is a known one hanging around the upper ranks for several weeks. This recent issue Glasperlenspiel with ECHT drops 14–19.


There is a high new entry in Germany with prospects of climbing much further and becoming a huge hit. Swedish producer/DJ Tim Bergling/AVICII launches his hit Levels even before it is offically released in Germany. The big download portals like amazon list Levels as available from 20th November on. The actual list dated 18th November covers sales between 4th and 10th November. This list shows the track as new entry at position 6. I guess it clearly underlines amazon's role at the dance market. I find it quite worthful watching how sales develope after 20th November.


Full Radio Edit:
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Further down the charts two new German productions appear. First of all the digital version of Rio De Janeiro enters the list. The new track offered by the Michael Mind Project refers to well known sound mixing the style of DJ Antoine and Benny Benassi. The vocals come from Bobby Anthony & Rozette – both absolutely unknown to German audience. Let’s wait two more weeks when physical single sales also count. Than we can decide whether this track is a hit or just a medium dance production.




Fans of Oktoberfest hits might not be depressed – next carnival season knocks at the door with approaching 11th November. A few days before that date Cologne band HÖHNER released a new single. 6 bis 8 Stunden Schlaf (6 to 8 hours sleep) is exactly that – a carnival anthem to lazy times. Probably it will disappear after two or three weeks and re-appear later in February, than for sure with much more power.




The Supertalent story of the week is 15 years old Felicitas Franke. She performed on 5th November at the show a song from Amanda Marshall. Let It Rain is an almost unknown song in Germany. It rised to number 73 only in 1996. After the performance at the supertalent show the song re-enters the list at number 90. For a track from the 90s it is an impressive feat.

Aura Dione – The Next Big Superstar?

A surprisingly new Number 1 leads the chart of this week. Danish singer Aura Dione can gain the chart crown in Germany for a second time in her career . Geronimo is the first single taken from her upcoming album Before The Dinosaurs which is produced by names like David Jost (Tokio Hotel and Keri Hilson) and Rick Nowels (Madonna, Nelly Furtado and Colbie Caillat). A precisely planned campaign joins the release of the album: the airplay started a few weeks before, a new website was launched and – very untypically – the video is not released yet. All these facts caused a strong interest in the new single making it fly to a record. It is so far the fastest sold single not coming from a casted act in 2011.

The second number 1 for Aura Dione makes her one of the most successfull Danish acts of all times. Only once before a Danish singer reached the Top in Germany twice. It was Gitte Haenning in 1963. – In 2011 Aura Dione is the fourth act that re-enters the number 1 position with a new hit. The difference to Lady Gaga, Rihanna and The Black Eyed Peas is that those all already had three Number 1 hits before 2011. So Aura Dione is still on the way of becoming a megaselling superstar. Funny trivia besides: The Danish singer took the longest break from being Number 1 of all the acts rebounding to number 1 – almost 2 years. Probably Europeans are more calmed down in their release schedule than Americans …

Geronimo von Aura Dione


One of the longest active German rappers is back at position 14. Berlin Kool Savas started his career in the very early 90s. He only once had broader mainstream success when he was collaborating with Azad in 2005. Although he was very productive since than releasing four different albums, the interest in his work somehow faded away. Now he is back with a new album called Aura – the title track is available as a download single since 21st of October. The strong entry – it is the second highest position Kool Savas ever reached – shows the way how that senior rapper really can attract masses. The track itself is a kind of a self-assertion mixing an combatant attitude with a semi spiritual believe. In times of non controllable systems and crisis people seem finding a constant in their lifes and values in that strange melange.




As an effect of his performance at latest X Factor (25th Oktober) James Morrison manages finally to climb up the list. I Won’t Let You Go rises 22–15 reaching a new peak. It is quite strange seeing the song Top 10 almost everywhere in Europe except in Finland, Belgium and Germany.

The second casting show on German TV also brings tracks back up in the charts. Two rises are really significant.
Most loved contestant was for sure Sascha Miskovic performing The Kill (Bury Me) vocally and at the piano. The song was originally recorded by Thirty Seconds To Mars. It was the first chart hit of the band in Germany climbing to number 58 in 2007. Now the song shoots back to number 36 giving the band the second highest position they ever reached in Germany.

Audience’s darling number 2 was for sure Dergin Tokmak. Since his childhood Dergin is physically disabled – at the show he performed as an acrobatic dancer to Don’t Stop The Party by The Black Eyed Peas. The track is back in the list at number 60. Further TV influence can be found in the recent list. British singer The Good Natured slowly becomes popular in Germany. Her song Skeleton is used as a background tune for a Deichmann commercial. The track rises 83–68 in its third chart week. Finally I have to mention the second German new entry for this week. It is Roger Cicero with his new single In diesem Moment (At This Moment). The track is featuring his upcoming same tiitled new album. As a hit single the track can’t really catch fire. Itonly reaches position 97.

A New Nr.1, A Broken Record + Sinking Superstars

Rihanna’s new single storms to number 1 in Germany too. We Found Love is the fourth Nr.1 hit for the singer coming from Barbados. 17 of the 25 chart hits crediting Rihanna as an artist went Top 10, 12 of them even Top 5. That makes her one of themost successfull acts of the recent millenium so far.

Alongside Rihanna British DJ and producer Calvin Harris finally can launch a hit in Germany. He only appeared twice in the lists so far: 2008 with his debut Acceptable in the 80s and a year later alongside Dizzee Rascal on his single Dance Wiv Me. Both stalled somewhere outside the Top 20.

Having a new Number 1 track means Moves Like Jagger will never reach the top. MAROON 5 Feat. Christina Aguilera spend a 7th week at the runner’s up position. So far only six other songs ever did so. The last one was Stadt (City) by Cassandra Steen featuring Adel Tawil two years ago.

Most significant rise into the Top 10 comes from David Guetta feat. USHER. The video to their track Without You was premiered at 14th October. Instantly the track can gain more interest and rises five places reaching a new peak at number 7. Two days ago the remixes were released online – the proper CD releases of both the original and the remixes follow at 4th of November. So we will see the track rising further for sure. Meanwhile Guettamania gots more stuff to be focused on. The new Timbaland single Pass At Me features besides Pitbull also the French DJ. The track enters this week at number 27. It is the 25th track that features David Guetta inside the German charts.

Outside the top positions a chart record is broken. Sky And Sand taken from the soundtrack of the movie Berlin Calling by techno/electro DJ Paul Kalkbrenner and his brother Fritz reaches in its 81st chart week a new peak. The track rises 43–35 leaving the best position from more than a year ago two places behind. Never before a track had such a long attempt getting to its peak. It was Last Christmas by Wham! that held the record so far – it peaked in its 72nd chart week at number 4 at the end of 2007.

Why does it took so long for Sky And Sand to reach this peak (which is honestly spoken not impressing high at all)? Well – Paul Kalkbrenner is a famous DJ only within a very sophisticated club scene. Of course every weekend thousands of dancers pilgrim into locations playing more minimal sound. The complete track of these parties mostly isn’t departed in single hits. There are a few anthems that are available on vinyl or as a digital copy, hardly on CD. Maybe some of these anthems find their way onto compilations – that’s something of a big luck for the artists. For being successfull in a mainstream way the sound is too hidden. There are only two or three radio stations playing it, music TV is not interested at all, so the whole club thing is something absolutely independent.

The movie Berlin Calling was a quite unusual attempt of bringing the scene to a wider audience. Actually the movie never was a huge hit – instead it was played a whole year in small cinemas and became something of an underground cultic movie. Even today a lot of people are addicted to the movie. Last June Paul Kalkbrenner released the succeeding album to Berlin Calling called Icke wieder (Me, Again – in Berlin slang). That one propelled to number 2 at the album charts – absolutely unusual for an techno/electro album. Supported by that huge demand the old hit Sky And Sand found a lot of new interest too. Over last weeks Paul Kalkbrenner is on promotional tour for his album – with huge success: twice 17.000 visitors in Berlin, 7000 in Hamburg, 9000 in Stuttgart,two sold out performances in Dresden, 10.000 people in Leipzig, 5.700 in Göttingen … does anybody wonder why his signature hymn rises again that strong?



TV effects
The sixth show of Dieter Bohlen’s autumn format Das Supertalent (German version of theGot Talent idea) was aired at Saturday 15th. The big star of the show was 13 year old Ciran Karaca from Göttingen. He sang Rolling In The Deep. Adele’s original version profits from the performance and rockets back 51–24. It is already the 42nd chart week of the track.
Michael Spicek also had a chance at the show. He chosed You Raise Me Up and failed by forgetting the English lyrics. Three times NO for him from the jury – out off the show. Although the original from Irish Westlife does pop up in the charts at number 76 – so a beloved track can’t be killed by a bad performance. It is the third time in 2011 that You Raise Me Up can enter the charts after a performance in a casting show.
A third contestant of the show causing a track reentering the charts is Stefan Gertler. He performed Home originally recorded by Michael Bublé. The track appears again at 95 – it’s the second time this year.

A second time Austrian Andreas Gabalier can profit from a TV performance. On 16th of October he staged at Herbstfest der Volksmusik (Autumn Feast Of Folk Music – here Folk Music means mainly folcloristic „Schlager“). The show is one of the most watched shows in German TV, broadcasted by public ARD. Of course the majority of followers is somewhat over 50. As an effect of his performance direct tubed to the target group the single i sing a liad für di (I Sing A Song For You – in Austrian dialect) jumps up the sales charts 78–30 to a new peak and even outsells the covered version by DJ Ötzi that rises 57–37 also. What a feat!
Watch the performance HERE

There are a few smaller TV shows that influence the music market. One of them is for sure Ina’s Nacht from Hamburg that focusses much more on serious German musicians. Ina Müller „discovered“ bands like Jupiter Jones – performing in her show is somewhat like being ennobled. Last show at 15th October German Rapper Casper was featured, acompanied by Ina Müller herself (and Lena also was sitting on the bar). The track So Perfekt rises 96–62.





New German releases hitting the charts
The digital aera finally hits Germany. An independent comedy trio that serves their fan crowd weekly with new material on their youtube channel started selling a song without any professional distributor. The result is amazing – they crack the charts at number 48, only promoted via their own channel and social network activities. To the German market this is absolutely new. All former independent hits at least had a professional distributor making the advertisement and launching a release at iTunes, amazon et al. That a crazy crowd of youngsters can do all that alone might start a process of re-thinking the complete structure of distribution.

The track in question is not a high quality product at all. It fits all clichees you might have about young men searching for sex. The title Ständertime (Hard-On Time) says everything, isn’t it. What would happen if the song would be a quality one?




Sinking Superstars
The re-invention of a former superstar is a thing never made successfully. Last week we saw superstar ’08 Thomas Godoj struggling for reaching the upper half of the sales charts with his new singleDächer einer ganzen Stadt (Roofs Of A Whole City) – he failed at 55. This week it is superstar’07 Mark Medlock who lands hard down to earth. Till last year his career was the most succesfull of all winners of the TV casting. Eight Top Ten hits in a row, four years on top of the mainstream charts – that’s a feat only Tokio Hotel and Lady Gaga have it under their belt within the past 10 years. A year ago Mark Medlock and Dieter Bohlen quitted their collaboration. Mark Medlock discovered soul as his own passion and recorded a whole album with soul covers that was released a week ago. The first single lifted from this album is The Other Side Of Broken. Probably it is tne best song Mark Medlock ever recorded – without the power of his inventor the singer is kind of helpless. Number 55 in the week of its release means: this star is sinking rapidly. – Even if Mark now is more natural, more authentic or more lucky, the question still is around: is being ones a superstar of Dieter Bohlen a thing you ever could ignore? Is a career after the casting itself possible without damage of yourself? Mark Medlock could be the one bringing the answer.



Dethroned Superstars Number 2 are: SCOOTER. They were and they are one of the most successful German bands/acts of all times having 47 charting singles and 23 Top 10 hits under their belt. The last time they had a big hit was in 2009 with the cover of Matia Bazar’s hit Ti Sento. This year they released three singles – and let me tell you, these three singles are the worst sold SCOOTER singles in the whole band history. Their latest offer David Doesn’t Eat tries to copy growing dubstep style and sampling the refrain of A Walk In The Park – a number 3 hit from the Nik Straker Band in 1979. The result is a lame number 67. One could say: 18 years on top is enough – I guess the boys could easily go retired spending their money and having fun for themselves.

What a Man, Supertalent & Oktoberfest

A German movie still has the biggest impact on the German music chart. It is very successful What A Man – the comedy by and with new German darling Matthias Schweighöfer. So far one and a half million people watched the movie – it is still Number 4 at the movie charts after one months in theatres. Inside the singles chart three songs of the soundtrack appear. At Number 1 Marlon Roudette still stands. It is the sixth week at the top for New Age. Last male artist holding six weeks at the top was Bruno Mars who went Number 1 with grenade back in March and April. Due to the fact he had a two weeks break in his Number 1 run when Lady Gaga stormed to the top with her Born This Way the last male act spending six consecutive weeks at the top spot was Israel IZ Kamakawiwo’ole almost exactly one year ago. Over The Rainbow just disappeared out of the German list last week. It spent a whole 54 weeks in the charts.

The highest new entry at the German single’s chart is also related to the movie. It is the fresh released CD single Eiserner Steg by German singer Philipp Poisel. Like the number 1 track this one is a ballad too talking about how life could go on after a split. The previously unreleased track ends up with the demand of a last moment together.

Entering the German list at Number 21 it is the most successful single of Philip Poisel. So far he had two minor hits never reaching the upper half of the list. This song could be the breakthrough reigning him in a line with young and successful German singer songwriters like Tim Bendzko or Andreas Bourani.



Lena’s version on What A Man tumbles down the list 48 – 65 in its fourth chart week.

Hitmaker number 2 is newly aired Das Supertalent (German version of Britain’s Got Talent). Last week it was You Raise Me Up which found its way back into the list after being performed inside the TV show. This week it is Mama Do originally recorded by British Pixie Lott. The track had a 9 weeks chart run in 2009 climbing to Number 37 – not really a big success compared to the Number.1 run it had in Great Britain. Anyway – 13 years old Marlene Wenzig chose the song for performing at the show. Her applicating version available at youtube is of course only half that convincing like her singing on stage. Right after her performance the original shot back in the iTunes charts and finally can gain position 30 at the whole week survey. It is the highest ranking the song ever reached in Germany.


Hitmaking event number 3: the seasonal Oktoberfest. It is the chance for promoting Mallorca hits from last summer again. One of the surprising Schlager/Discofox hits of the year so far was I sing a Liad für dich (I Sing A Song For You -– in a very regional kind of spelling) by Austrian Andreas Gabalier. The single was a hit in his home country already summer 2010. The German audience first noticed it in March, when Carmen Nebel presented the young singer in her TV show. I sing a Liad für dich immediately hit the charts. It was a short visit cause the single was not available officially. It took the company till late July to launch the CD version. Last week the version by Andreas Gaballier rose to number 63 – the peak so far. This recent week the song climbs up 3 further places. Additionaly there is a new version entering the list offered by big Austrian Schlager star DJ Ötzi. Of course that new version of DJ Ötzi is much more a commercially produced tune. If one can find the song of Andreas Gabalier somehow authentic and candid – the recording of DJ Ötzi is completely calculated. It is just a song meaning nothing – all he needs is the beat and a melody. Even his outfit worn at the video tells you: that’s not the real live of DJ Ötzi – it is a costume.

The market again rewards the more obliging production. DJ Ötzi’s version enters the list at number 35. Honestly I suspected much more – seems the Schlager genre needs a little break or a re-invention.

TV Alarm oder Ohne Fernsehen keine Hits

Die Woche 14. bis 20. Oktober brachte uns drei neue, deutschsprachige CDs die richtig gut einschlugen und sich ordentlich verkauften. Sido, Xavier Naidoo und Silbermond waren die Gewinner der Woche. Und dann gab es vor allem ein bestimmendes Thema: Popstars! Zur dritten Workshopwoche in Las Vegas war eine der Gast-Stars Ashley Tisdale. Und sehr genau abgestimmt, steht ihre aktuelle CD-Single Crank It Up genau einen Tag nach Ausstrahlung der Show in den Geschäften. Klar, verkauft sich das ordentlich. Platz 19 auf Anhieb und damit der vierte Top 20-Hit für den amerikanischen Upcoming-Superstar. Erstaunlich vor allem auch zu sehen, dass sie in ihrer Heimat USA gar nicht so populär ist wie im deutschsprachigen Europa. Bei Miley Cyrus sieht die Sache genau umgekehrt aus.

Crank It Up ist die zweite Single aus dem Album Guilty Pleasure. Die Lead-Single It’s Alright, It’s Ok platzierte sich im Juni bereits auf Rang 12. Auch das mit Unterstützung medialer Präsenz zur Prime Time. – Der Titel selber ist ein unglaublich elektroider Track, der Ashley Tisdale in eine Reihe mit Britney Spears stellt. Beim ersten Hören des Tracks ohne jegliche Information dazu hatte ich tatsächlich das Gefühl: hey, ein neuer Britney-Track. Das Ganze ist wunderbar kombiniert mit Timbaland-mäßigem Rap and Background-Chören. Geile Mischung! Natürlich gibt es genügend Kritiker, die diese „Anleihen“ unverschämt nennen. Wie ihr das bewertet, könnt ihr ja selber entscheiden. Auf jeden Fall ist es ein ziemlich heißes Stück Pop und etabliert Ashley Tisdale mehr und mehr hierzulande als Garantin für Hit-Singles.

Gewinner Nr.2 dank „Popstars“ sind Coldplay. Bereits direkt nach der Show konnte sich The Scientist über iTunes und Kollegen so gut verkaufen, dass der Titel in der letzten Woche auf Platz 77 wiedereinstieg. In dieser Woche nun zählen alle Käufe ab Freitag, dem 14. Oktober. Und das waren offensichtlich nochmal eine ganze Menge, denn The Scientist geht rauf auf Platz 26 und beschert dem Titel fast sieben Jahre nach seiner ersten Chartplatzierung ein neues Bestergebnis. Für Coldplay ist dies somit der sechste Titel, der sich in der oberen Hälfte der deutschen Charts etablieren kann.

Medienereignis Nummer 2 flimmerte am 18. und 19. Oktober durch das RTL-Programm. Mit jeweils etwa 6 Millionen Zuschauer_Innen hatte die zweiteilige Produktion „Vulkan“ ihre Premiere.Und für die Werbung zu diesem Katastrophen-Streifen wurde die Ballade einer jungen, noch unbekannten Sängerin ausgewählt, die der Dame damit auch ihren ersten Hit beschert. Cherine Nouri ist ihr Name und der Titel heißt Faithful. Das Ganze klingt sehr nach Fernsehmusik, ist ganz gut produziert (als Produzenten tritt das VALICON-Team auf, welches auch hinter Silbermond und Eisblume steht), allerdings auch genauso schnell wieder draußen aus dem Ohr. Mir fehlt ein wenig das Unverkennbare, Eigene. Aber das kann ja bei der nächsten Single noch kommen. Für Dezember ist ein Album von Cherine Nouri angekündigt. Derweil startet Faithful auf Platz 22 der deutschen Single-Charts.

Gleich nochmal RTL mit Hitmacher-Auswirkungen: die neueste Folge der Pop-Doku-Reihe „100 Prozent“ widmete sich der Band Tokio Hotel. Und offensichtlich ist es ziemlich clever diese 45-Minuten-Show zur besten Sendezeit auszustrahlen, denn sowohl Automatisch klettert nochmal ordentlich von der 34 auf die 21, als auch das Album Humanoid steigt wieder hoch auf Platz 11 in den Albumcharts. Und – ganz außerordentlich – die Single, mit der alles begann, durch den Monsun kehrt fast vier Jahre nach ihrem ersten Chartaufenthalt zurück. Platz 84 gibt es durch zahlreiche Downloads und eine 22. Woche in der Liste für den erfolgreichsten Nr.1-Hit von Tokio Hotel. Nur zur Erinnerung: Im September 2005 stand der Titel fünf Wochen auf der Position 1.

Auch aus einem Film, allerdings nicht Fernsehen, sondern richtig Kino und vielleicht deshalb auch etwas weniger erfolgreich, stammt Jump mit Flo Rida feat. Nelly Furtado . Der Film, um den es hier geht ist G-Force, der am 16. Oktober Filmstart hatte. Der Titel ist im Original schon ein ganz eingängiges HipHop-Pop-Stückchen, so wie wir es von Flo Rida eigentlich gewohnt sind. Noch viel wahrnwitziger sind allerdings die kursierenden Remixe und Mashups. Lohnt sich in jedem Fall, mal im Netz danach zu suchen. Flo rida landet mit Jump seinen sechsten Hit in den deutschen Charts, Platz 27 ist dabei nicht so schlecht, reicht aber bei weitem nicht an seine großen Erfolge Low (Platz 13) und Right Round (Platz 4) heran. Für Nelly Furtado ist es bereits die 21. Single in den Charts, an der sie in irgendeiner Weise beteiligt war. In diesem Jahr hat sie bereits die beiden Superhits Broken Wings (Platz 1 mit James Morrison) und Manos Al Aire (Platz 2; in dieser Woche von der 22 auf 34 fallend) auf ihrem Konto.

Am 14. Oktober erschien die neue Single der norwegischen Band a-ha, am 15. Oktober gaben sie bekannt, dass sie sich ab kommendem Jahr auflösen werden. Das bedeutet, Shadowside wird eine der letzten Singles sein, die wir von dieser Band zu hören bekommen. Eine schöne Ballade mit sehr melancholischem Ton. Zwar fehlt mir auch hier die Relevanz und der Bezug zur Jetztzeit, aber wunderschön ist es trotzdem. Nach ihrem sensationellen Nr.3-Erfolg von Foot Of The Mountain landet Shadowside auf Platz 36, eine durchaus übliche Position für eine Albumzweitsingle von a-ha.

Obwohl sie schon seit mehr als 10 Jahren bestehen und fleißig Material veröffentlichen, gehören die Foo Fighters um David Grohl immer noch zu den Newcomern im kommerziellen Chartbusiness. Die aktuelle Single Wheels ist nämlich erst der vierte Titel, der sich in den deutschen Charts platzieren kann. Als reine e-Single erschien der Titel bereits am 25. September, seit 12. Oktober ist das Video on air und so steigen die Downloadzahlen beständig. Nun schafft es Wheels auch neu hinein in die Charts auf Platz 56. Das ist die beste Platzierung für einen Foo Fighters-Titel ever. Zuletzt waren sie Anfang 2008 mit dem Titel Long Road To Ruin notiert, der es bis zu Platz 79 brachte. Und noch ein wichtiger Hinweis: Das Greatest Hits-Album erscheint gerade jetzt, da könnte also Wheels in der Liste in zwei Wochen nochmal ordentlich nach oben gehen.

Weiter unten in den Charts war das Thema TV-Spektakel nochmals spürbar. Insgesamt zwar nicht so erfolgreich wie die schon abgehandelten „Popstars“, generiert auch „Das Supertalent“ gleich von Beginn an einzelne Hits – natürlich vor allem Rückkehrer von älteren Songs. So trat zur Premiere der neuen Staffel am 16. Oktober die sehbehinderte 13-jährige Fabi Bender auf und sang Almost Lover von A Fine Frenzy. Prompt landet das Original wieder im Verkauf und kann sich auf Rang 82 der Charts durchsetzen. Es ist die erste Notierung seit Ende März diesen Jahres und die höchste Platzierung seit Oktober vergangenen Jahres. – Erstmals war der Titel im januar 2008 notiert worden, Anfang April enterte A Fine Frenzy mit Platz 8 dann die Höchstposition und konnte bis Ende Juli ununterbrochen in den Charts stehen. Danach ging es noch weitere vier mal in die Charts, natürlich jeweils wesentlich kürzer, und nun sammelt Almost Lover eine 36. Chartwoche. Allerdings wird der Titel wohl nächste Woche bereits keine Rolle mehr spielen.

Wirklich langanhaltenden Erfolg wird es wohl auch für MARS nicht wirklich geben. Der Sänger ist ein Hybrid aus der Kunstfigur Martin Nicodemus Sommer und dem lebenden Menschen Marcel Saibert. Mit der Serie „Unter uns“ ist MARS bekannt geworden. Vor zwei Jahren feierte seine erste Single Reason ordentliche Erfolge und konnte sich im Verkauf bis Platz 15 durchsetzen. Nun steht ein neues Album in den Startlöchern, Play heißt es und soll am 6. November erscheinen. Bereits im Vorfeld wurde die Single Let There Be Love auf den Markt geworfen, eine Schmuse-Kuschel-Ballade, leider nicht ganz so originell und deshalb wohl auch nur vom harten Fankern der Serie gekauft. Es reicht nach etwas mehr als zwei Jahren also lediglich für einen Platz 99 und wie schon gesagt: ich denke, das wird es für die Single dann auch erstmal gewesen sein.

Wieder in den Verkaufscharts, allerdings sehr wahrscheinlich auf Grund des Erfolgs des soeben veröffentlichten Albums ist Michael Bublé. Crazy Love schafft auf Anhieb den Sprung in die Albumcharts auf Rang 5 und zieht in seinem Windschatten die aktuelle Single Haven’t Met You Yet von der 55 auf die 53. Außerdem kann sich (entweder durch die Empfehlungsverlinkung auf amazon etc. oder auch, weil der Song offensichtlich signifikant für Michael Bublé steht) Home aus dem Jahr 2005 noch einmal zurück in die Liste verkaufen. Original ist Home auf dem Album It’s time erstmals veröffentlicht worden, wurde dann als zweite Single ausgekoppelt und erreichte Platz 55 – bis heute die am schlechtesten platzierte Single des Künstlers. Im Jahr 2007 erschien von Westlife eine Cover-Version, die sich bis Platz 70 hangeln konnte (übrigens der letzte Titel von Westlife, der es in die deutschen charts schaffte). Nun, vier Jahre nach der allerersten Version, steht Home noch einmal auf der 86. Es ist insgesamt die 10. Woche für den Titel, das ist für Michael Buble dann schon eine sehr ordentliche Leistung.

Naja, und dann schaffen es in dieser schon reichlich romantisch verklärten Woche auch Ich + Ich mit einem ihrer Überhits wieder zurück in die Liste. So soll es bleiben ist seit 10. Oktober schon wieder Chart-kompatibel, allerdings mittlerweile doch nur noch minimal im Verkauf. In dieser Woche gehen die Umsätze noch mal ein klein wenig nach oben und So soll es bleiben steht erneut auf Platz 97. Im April 2008 war der Titel erstmals notiert gewesen und war der dritte Titel in Folge , der es unter die ersten 3 der Charts schaffte. Diese Woche ist es bereits das 52. mal, dass So soll es bleiben notiert wird, ein komplettes Jahr Chartaufenthalt ist damit voll und ein Platz in der Top 20 der am längsten notierten Charttitel gesichert.