Hot Spot 02-01-13

will.i.am &Britney Spears hang on a third week at Number 1. Britney now matches the success of her predecessor number 1 Lucky in 2000.

Icona Pop Feat. Charli XCX rise to number 3 making I Love It the most successful Swedish production since number 1 hit I Follow Rivers.

Sido goes 8–5 with In meinem Kopf which gives him a Top 5 hit for the third time in his career.

On Tour in Germany, Number 1 in Austria – CRO makes a 14–8 leap with Einmal um die Welt and reaches a new peak with this song. It is already the 24th chart week which makes the song the slowest climber since Ma Chérie reached its peak at number 6 in May last year.

Linkin Park’s Castle Of Glass still two weeks ahead the full release on CD enters the Top 10 – it is the fourth Top 10 hit of the band and follows the number 2 song Burn It Down which re-enters at number 93.


This week we do have 12 new entries and 11 re-entries – meaning it is the biggest turnover of that young year so far. So the charts get back to the speed they had at the end of 2012.

The most present artist of 2012 is starting the new year: Pitbull delivers the highest new entry with Feel This Moment at number 12. It is his 21st charting track in this decade and the 25th at all. His partner on the song Christina Aguilera also counts 25 chart hits with this entry and now spends 15 consecutive years inside the German charts. The single itself will be available on CD from February 22nd on.

With the success of Ellie Goulding’s Lights the label scheduled a re-release of the single CD for February 15th. This week the song rises 26–19 and probably this track will become her first Top 10 hit on German shores.

Also worth mentioning Macklemore & Ryan Lewis feat. Wanz reach the Top 20 with Thrift Shop. The song still isn’t signed to a label and sells directly from the artist’s platform. That’s unbelievable and probably shows what will happen in a few years within the whole music business.

Finally Nicki Minaj’s Va Va Voom catches fire and reaches the upper half of the list.

After her performance on Wetten dass… Leona Lewis is back in the list with her last hit Trouble. So far it spent only five weeks inside the list. That’s poor for a star like Leona Lewis is.
Caligola adds one more week to the summit of its Forgive Forget after performing at the show. Now the track counts 20 chart weeks.

Rita Ora’s How We Do (Party) spends rising the last week on digital sales only . The track reaches now number 40.

Used at Dschungelcamp Philipp Poisel returns to the list with Ich will nur. It is only the fourth chart week and number 41the second highest place it ever reached.
Promoted by that success also Wie soll ein Mensch das ertragen returns to the list. The album Project Seerosenteich just reached gold status selling 100.000 copies.

AVICII VS Nicky Romero steadily rising. They reach number 44 in their third week in the list.

The release of the Django unchained soundtrack helps three songs into the list as solo tracks. First of all Anthony Hamilton can enter the survey withFreedom at number 55. Further down the list we also find the main title Django by Luis Bacalov, Rocky Roberts (by the way one of the very few Argentinian musicians who can enter the German list). And finally at number 100 there is Rick Ross with 100 Black Coffins.

The album of Kollegah & Farid Bang Jung, Brutal, Gutaussehend 2 is scheduled for February 8th. Till now there are four tracks released before. Number 4 Stiernackenkommando enters teh list this week.

A complete week after releasing the album LONG.LIVE.A$AP fully the artist’s single F**kin’ Problems returns back to the singles charts and reaches a new peak with number 86.

Carnival season is at the door: Mickie Krause sneaks through the list. Two weeks ago his Nur noch Schuhe an visited the survey at number 99 now it re-enters at 90. The peak of the song was back in August last year at number 32.

39-12: Germany loves German music (and some Austrian tunes too)

A new Number 1 offered by a new trio: MARTERIA • YASHA • MISS PLATNUM are the new stars starting with their new single Lila Wolken (Violet Clouds) right at the Top. It is the third single in 2012 starting chart life at the highest position. And it is the third Number 1 coming from a German act. After the superstar and the DJ remix it is the probably most important style that finally can gain the Top spot: German HipHop reaches it’s commercial zenit.

Having the third German production at number one means we really have German music back to it’s success. In 2011 there was only one act from Germany topping the weekly charts – probably the bottom of the “crisis” of German music. The last heydays from the early 2000s when at least five track each year topped the list seems still far and away. All in all we watch five German productions inside the Top 10 which is quite an impressive fact. In the whole Top 100 there are 31 tracks produced by German acts. I really do not know when we had such a situation the last time.


Back to the song starting at number 1: Lila Wolken is a soft hymn for free night life. It tells about the search for having the choise and the luck seeing the morning sky. It lifts Marteria and Miss Platnum with their third chart hit to number 1. For the latter on it took almost exactly five years getting here. – A second track from the EP of the trio can enter the charts on single downloads. It is Feuer which reaches position 52.




The next new entry comes due to a performance at new season of Das Supertalent. Jean-Michel Aweh performed Wie soll ein Mensch das ertragen originally recorded by Philipp Poisel–right after the show the two years old song shoots to number 5 reaching a new peak. It is the second song of Philipp Poisel reaching the Top 5 after being performed in a casting show. And it is his third Top 5 hit in 2012 making him the most successful German act this year. Rapper CRO only had two Top 5 hits this year so far.

Supported by the new demand also the latest single Wolke 7 alongside Max Herre jumps back up the list and lands at number 9. In the same manner (but slightly more dimmed) Eiserner Steg rises 67–46 in its 40th chart week and Ich will nur comes back for a short appearance at number 97. So we see four tracks of Philipp Poisel inside the recent list.

Also the other song performed by the candidate Jean-Michel re-enters the charts. It is Revolverheld’s Halt dich an mir fest recorded with Marta Jandová of Die Happy. The song was a long time seller in 2011. Now it comes back at number 60.


And yet another Top 10 story: Carly Rae Jepsen spends a twentieth week inside the Top 10 and is so far the longest Top 10 runner of the year. Hard on the heels follows I Follow Rivers by Lykke Li which so far collected 18 weeks.


A late summer tune comiong from Austria is gaining more attention. Klangkarussell is a Salzburg based duo. Its track Sonnentanz was released a year ago. It found some first lovers in spring this year and reached broader popularity during the summer. Now a single is full released on CD which gives the track a last boost climbing into the Top 20 in its sixth chart week. In Austria and Switzerland the track also can reach Top 20 status. It is the first Top 20 hit comiong from Austria since two years.



German dance music much more plays the easy and direct way. The Michael Mind Project Feat. Dante Thomas does not experiment a lot. Nothing Lasts Forever sounds like all the last offers of the project. The audience still can deal it–the new single starts at number 40. It is the 12th single so far for Michael Mind–none of them reached ever the Top 10.

The first white/northern soul act from Germany is Leslie Clio. The singer lives in Hamburg and right now released her debut Told You So. The song starts at number 41 but it might have the power of spending some more weeks inside the list.




Silbermond has announced a new single. Immediately the hard core of fans is buying the track in question Ja as an album cut which makes it entering the charts at number 70. Compared to the last single of Silbermond it is quite doubtful seeing the new one rising much further after the release of the single in late October.

Back with new material after a seven years break Joachim Witt has released the single Gloria. A dark song about our complicated life.




Number 1 on the DVD charts is French movie The Intouchables. The main title Una Mattina reaches the song charts though not in its original version played by Ludovico Einaudi. Instead a version played by Swedish Jonas Kvarnström is listed at number 77.

26-12: Soccer Dance

Die Toten Hosen right now repeat the result of their so far greatest hit Zehn kleine Jägermeister as current hit single Tage wie diese stays for a fourth week right at the Top of Germany’s singles charts. Used by public TV ARD as the main anthem for the EURO2012 the track is heavily supported by media use. So does number 2 which comes right now from Linkin Park. Burn It Down is used by ZDF for the same reason and now is the highest ranking track of Linkin Park of all times. They reached three times number 4 so far. In 2004, in 2007 and in 2009–now the history of the band is re-written.

The current list is covering the time span 15th to 21st of June. In this time the hopes for a German championship seemed realistic. Finale wir kommen (Final we’re coming) by KAY ONE Featuring Shindy tells about that dream. It climbs 54–29. Last Thursday these hopes were smashed by the team from Italy. Probably the KAY ONE song will tumble down in two weeks time dramatically.

Rising also is the Ukrainian band Los Colorados. Its take on I Like To Move It is the second official ZDF-track for EURO2012 promotion. It now reaches the upper half of the list at number 44.


The best performing new songs are alle from the dancefloor. Highest new entry inside the German list comes from Swiss Patrick Miller. So far he is known as the voice of the rap part on recordings by Mike Candys. So far he collected two Top 20 hits within the past 9 months. Now he starts his own solo single Dancing in London. It is a dance infected tune also but falls short of the two predecessors.



The man who made Patrick Miller popular can’t make it that big. His newest offeringSunshine (Fly So High) is even outsold by predecessor 2012. It lands at number 64 so far.



The highest new entry coming from a German act is Feeling So Blue by the Michael Mind Project. It is build around the Eiffel 65 hit from 1999. Landing at number 38 in its first chart week it is the first time since four years that the Michael Mind Project can reach the upper half of the charts again. Singer Dante Thomas seems after a long long break really back in the business. It is already his second chart appearance in 2012.




What else? – Amy Macdonald’s album Life In A Beautiful Day shot to number 1 last week. This issue she has to move to number 2. Instead her single Slow It Down rises again and lands at number 39–which is a new peak for the song after seven weeks in the list.

Steadily rising is Belgian Triggerfinger’s unplugged version of I Follow Rivers. This week the song can stop at number 40. The original by Lykke Li also finds some more fans and rises 10–8 this current week, which also marks a new peak for the song.

Philipp Poisel had a big success at the beginning of this year when his song Eiserner Steg became very popular after being performed on a casting show. Now a further song from his last album gains attention. It is the last track on the album Bis nach Toulouse and it’s called Ich will nur (I Only Want To).It is a very reduced love ballad. As I found out the song isn’t released or scheduled for a proper single release. Instead of that there is a new album announced for August which will be probably partly live. Maybe it is the pre-flurry that let people purchase Ich will nur as a live version on their mp3 players. Number 43 is an impressive start.



Rising also is Reckoning Song / One Day the remix of Asaf Avidans song by Wankelmut. It is new inside the upper half at number 49.

Two years ago Menowin Fröhlich seemed to be one of the big stars of the future. Than he failed in winning the superstar casting contest only becoming the runner up. Last year he released his first single with more or less success. But the interest in the almost superstar fades away dramatically. Now his first album is announced. And almost nobody cares. The single that should tease the album lands at a low number 60. It is called Round ‘N’ Round.

I am actually wondering how often one can release the same sounding song. Marquess already does it with ¡Bienvenido! for the ninth time. Well –the success of the releases so far isdecreasing too. Number 61 for the summer single 2012.



And also Schlager old star Jürgen Drews comes with a new single. Für einen Tag (For One Day) is the newest offering landing at number 62.


Jürgen Drews -- Für einen Tag - MyVideo


Again on TV Die ultimative Chartshow. Although the survey on the most successfull synthie pop hits was aired for the 15th time one live act of the show can manage it to launch its hit again. It’s Faithless that sees its Insomnia again landing at number 79. It is the 55th chart week for the song so far and the 12th time that it re-enters the list.


And finally the song noted for the most times inside the German sales charts Sky And Sand by Paul & Fritz Kalkbrenner this issue leaves the list. Last week it was noted at number 96 in its 115th chart week–now it is really out. Now the song with most chart weeks is Rolling In The Deep by Adele which sits at number 94 in its 77th week.

17-12: Long selling casting show tracks

There is a new number 1 single in Germany. Alex Clare rises two places and sees his Too Close shining at the top spot. The soundtrack of the Internet Explorer commercial is the first dubstep number 1 in Germany. So it took the style more than two years to achieve the success it has already in his home country Britain.

Having a new number 1 means Olly Murs & Rizzle Kicks have to clear the way. Heart Skips A Beat tumbles impressive six places to number 7. It is the deepest fall off the number 1 position since Pietro Lombardi did so in June last year after his Call My Name occupied the top spot for four weeks.

Further Top 10 action
Now they are 30. Die Toten Hosen had their very first performance on 10th April 1982. Of course a lot of papers, radios and TV stations celebrated that anniversary with stories and specials. The huge media presence helps lifting the actual Hosen single to number 2. It is the biggest jump inside the Top 10.

The hot phase of the DSDS casting started on 14th April when the last four aspirants performed for qualification to the next round. The most succesful performance in chart terms actually was again the one of Jesse Ritch who offered a version on She doesn’t Mind which is a recent hit by Sean Paul. After the Saturday night show the single got a sales boost landing again at number 3 in its 11th week inside the Top 10. Poor Jesse had to leave the show a week later.

Of course also other DSDS candidates made their impact on the charts. Again a Top 20 hit is Eiserner Steg by Philipp Poisel. Luca Hänni–one of the big favourites and finally the winner–performed the song and caused the second big demand for the original single. Back in January the song reached number 4 after Benny Fiedler performed the song on The Voice of Germany. A week later the contestant was voted off the show … Luca Hänni had a completely different destiny.

Also the songs chosen by Luca for the category pop and rock reach the list after his performance. Beautiful People originally recorded by Chris Brown & Benny Benassi so far collected 25 chart weeks with a peak at number 30. Now it is back at number 42. Respect! The rock song Chasing Cars already collected 64 weeks in 14 chart runs. For sure that’s the reason why we see the original recording by Snow Patrol only sneak in the list at the lowest end.

Speaking about songs with many chart runs we can switch to the next contestant. Daniele Negroni helps the Kings_Of_Leon back in the charts. Sex_On_Fire charted a month ago last when Use Somebody re-appeared after a performance by combatant Luca Hänni. After Daniele staged with Sex_On_Fire the song jumps back to number 41 which is the highest position since three years. All in all the track now enters the list for the 13th time and slowly approaches the all time record set by Last Christmas in the version of Wham! which charted 16 times in its career. Another song joins the drop in drop out statistic at the top: Das Beste by Silbermond had 14 chart runs.

German productions
Best new single start this week comes from Monrose singer Mandy Capristo. First she appeared at the end of last year alongside Peter Maffay on his sixth Tabaluga album. Now she comes with an own song collection from which The Way I Like It is the first single. It is a well penned pop song written and produced by David Jost who also is the man behind number 1 singles Geronimo by Aura Dione and I Like by Keri Hilson. The Way I Like It is much softer and fits perfectly the mainstream radio sound. So it probably has chances of becoming a real hit. Mandy Capristo might have some hopes for a longer solo career after this start.



Next significant move comes from German Baku star Roman Lob. The song Standing Still so far performed … annoying. After a good start at number 3 it tumbled out of the Top 20 sliding down to number 45. That drop was “supported” by the strange release policy for the video. Some days it was blocked – a few days it was available only on some special platforms … A month before the Eurovison contest his debut album Changes is in stores and can reach number 9 on the album list. The album gives the single a boost again and that jumps to number 19 which is the second highest ranking so far for the song. Let’s wait another four weeks when the contest is over and we’ll see the single flying to better heights probably.

Also Die Ärzte (The Doctors) have a new album in stores. auch (also) storms to Number 1 directly and lifts the single zeiDverschwÄndung (Waste of Time) back into the upper half of the survey.

A pre prime time serial gets more and more attention. Berlin – Tag & Nacht (Berlin–Night & Day) is something in between Big Brother and a regular daily soap. It is the story of people who share a flat in Berlin. The soap started back in September past year achieving only low rates. Already at the end of the year the interest was pretty high and even now the amount of followers rises staedily. There are actual reports seeing the soap overtaking such formats like the soft science magazine Galileo and the long time soap Alles was zählt (All That Matters). One of the song featured on Berlin – Tag & Nacht is ECHT by duo Glasperlenspiel. Since the start of the soap the track sneaks through the list peaking at number 9. This week it jumps again 95–73 in its 32nd chart week.



European Stuff
What works for German productions also does for international ones. Morten Harket offered his single Scared Of Heights which entered the list two weeks ago at number 48. Then it dropped as low as number 92 for bouncing back now to number 60 cause of the release of his album Out Of My Hands which debuts at an overwhelming number 3.

Spanish Sak Noel comes with part II of his Crazy Society trilogy. The formula does work in clubs. The mainstream isn’t that much infected as Paso (The Nini Anthem) starts its chart life at number 66.



How British acts are released in Germany is always a thing very hard to understand. example had a hit in Germany with Changed The Way You Kiss me in autumn 2011. It was the first appearance in German charts for the producer. Now Kickstarts was released as a single. It is a convincing and cool song of course. Anyway I don’t understand why Vertigo/UNIVERSAL decided to promote this track as the next single. Well, it was the most successful track of the 2010 album Won’t Quietly in Britain. Releasing older singles after a hit is quite common–but does this decision really makes sense? Wouldn’t it be much better to release the second British number 1 hit Stay Awake? A&R people for sure know what they do. example so far sees his second chart hit enter at a very low number 72. Hopefully soon the label will find a better strategy for promoting his tracks.



French DJ and producer Martin Solveig has a new offering available. After he had produced for Madonna some tracks he should be counted as one of the big players in business. His E.P. The Night Out does not fully match that expectation. After two weeks on sale as download album it sneaks in the list at number 99.

03-12: Hits Made By TVOG

A casting show blows several hits in the single’s charts. We do have 13 new entries – 12 of them are related to the show in question. The 13th hit also has support by a TV series. If there were no TV the music industry would still sleep.

And this recent week shows impressively how stars are made. It’s not about clever songwriting or performing in an unbelievably cool way. Not at all. It is all about BEING performed in a casting show. That’s the way how German singer songwriter Philipp Poisel became popular. He had his first success with single and album Wo fängt dein Himmel an? (Where does your heaven start?) in 2008. In 2010 he had even more success mainly albumwise. In October his single Eiserner Steg (Iron [Landing] Stage) made the first significant impact to the charts after prominently provided by the German movie What a Man. But still – number 21 was the end of the line. Now – after that same track was performed by Benny Fiedler at casting show The Voice of Germany – the tracks jumps 100–4 giving the original artist his first appearance at the very top of the single’s list. Simultanously the version of Benny Fiedler is entering the list at number 25 too. It is the first time in German TV and music history that the versions recorded at the show are available officially as a single track. I guess it will change the drive of the show dramaticly as everybody knows right now who is the big favourite of the casting. In the case of TVOG it is Benny Fiedler. How do the fans of other contestants react right now? And is it really about the good voice that one is crowned? Or just a simple act of mobilizing a lot of people via web2.0 applications? – Certain is the fact that the original artist profits much more of an performance than the contestant itself. Comparing both it is hard to decide which one is the more heartful.

The original by Philipp Poisel and the version by Benny Fiedler


Meeting Philipp Poisel at number 4 marks the end of an seven weeks abstinence of German songs in the Top 5. The last seen that high was Rammstein’s Mein Land at the end of November.

Same story for a song that is famous already but never made it into the German charts. I’m talking ’bout radiohead’s debut Creep which was a Top 10 hit in the United Kingdom in 1992. In the Friday issue of the show Michael Schulte sang the song. His version enters the charts at number 62 – 12 ranks above him the original comes in and gives British Radiohead their highest place ever reached in Germany. It is only their fourth track that can hit the German charts – the last one appeared eight years ago. So this is the very first come back of the year – caused by a casting show.

I guess you all know the original – this is the version from the show


The show enabled a lot of other tracks to enter the charts (again). Sorted by popularity Ich kenne nichts (das so schön ist wie du) (I Don’t Know Anything (As Beautiful As You)) is the big gainer. The track was performed by Xavier Naidoo and his candidates during the voting. The original recording from 2003 was number one for a single week in June that year. According to different sources the track collected already 29 to 36 chart weeks – actually it had several chart runs since it’s original appearance and probably is one of Xavier Naidoo’s signature tracks. Last time it was seen in the lists was back in 2010 when it had a four weeks run reaching number 47. Now it re-enters at an impressing number 20 – the highest rank since its first chart run in 2003.

Rea Garvey opened the show one day later with his candidates by performing his recent hit Can’t Stand The Silence. As an effect the single jumps back up the charts 69–46 in its 18th chart week.

The performance at TvoG: Ich kenne nichts Team Xavier / Can’t Stand The Silence Team Rea


10 of the 24 contestants can reach a rank in the charts. Leading the pack is – as I told before – Benny Fiedler at 25. Percival and Behnam Moghaddam follow with their takes on Hedonism originally recorded by Skunk Anansie in 1997 and The Sound Of Silence. The first one was the only proper hit for Skunk Anansie. Now it comes in at 40 in the new version. The Sound Of Silence was a hit for Simon & Garfunkel in 1966 when it reached number 9. The song is back at number 41.



Further contestants arriving: at 70 Max Giesinger with the Coldplay song Fix You – originally released in 2005 reaching number 65 back then. Mic Donet performed Ain’t No Sunshine and gives the famous song its second chart appearance of all time. Only once in 1998 the US American band 4 the Cause brought its version into the list at number 52. The original by Bill Whiters never charted in Germany. Rüdiger Skoczowsky had to leave the show after his first live performance – the audience loved his version of Without You anyway. It can enter at number 80 – the original by David Guetta feat. USHER still holds at number 16.

The most loved girl/woman of the two shows was Jasmin Graf. Her version on Wovon sollen wir träumen climbs to number 81 – the more pop oriented original by Frida Gold already is 41 weeks in the charts rising softly 55–51 this week. Seeing the ladies entering only at the end of the survey underlines the old rule: Gents are the big deal in casting shows – they do have tons of female fans who spend money on downloads and whatsoever and they love to call several times for their adored idol. The male audience is much more reserved. They probably would go crazy airing a soccer casting.

Katja Friedenberg also is in the charts. Her interpretation of Adele’s Turning Tables stops at 86 – probably she was disadvantaged by choosing an almost unknown song. We will watch her in one weeks time.

The last candidate who turns into a chart act is Dominic Sanz. He performed With Or Without You known in the version by Irish U2. Like Rüdiger Skoczowsky also Dominic Sanz had to leave the show – probably his chart career ends before it really started with a number 98 rank.
Please find the videos of all the performances at the official TvoG-Site

Of course not only the songs of the candidates made a remarkable impact to the survey. Also the songs presented in between got a small push. The new Snow Patrol single This Isn’t Everything You Are enters after the band performed in the show. Coming in at number 52 it isn’t the really big start. So a performance in the show isn’t an immediately given hit. That had to accept Söhne Mannheims too. They performed – including juror Xavier Naidoo their latest single hit Für dich (For You) – only clinging on at number 65.


The only new entry not related with The Voice of Germany this week is culcha candela’s new single Wildes Ding (Wild Thing). It lands at number 12. If there were only one person left finding the Berlin multicultural band innovative – this recent release should immmediately stop that kind of ideas. The track is a proper hit produced single lending all the key catchers of past hits – in the end you listen to a softened version of Atzen Pop successful a year ago. The lyrics are about the male dreams of a perfect woman. And – surprise surprise – it is a princess that turns into a vamp at night. No wonder the track was chosen for being the title track of just started TV show Dschungelcamp which has unbelievably high rates.

At the very top there is nothing new. Gotye stands a fourth week there. Somebody That I Used To Know is the first single since Rihanna’s We Found Love that does so. Of course Rihanna took three runs at Number 1 for collecting four weeks. The last song holding at least four consecutive weeks as the best sold single was New Age by Marlon Roudette in autumn past year.
Michel Teló is still on the rise with his Nooosssaa! Ai Se Eu Te Pego! gaining 3 places and stopping at number 2. Will the football anthem reach number 1 in teh next days? According to most recent iTunes lists it will. That might be the first Brazilian number 1 in Germany.

With the invasion of German artists the density of German productions at the upper end increases. We do have four German productions inside the Top 20 – that sounds much, although back in October there were four porductions alone inside the Top 10. Right now there is a strong demand in songs in German. The four German songs inside the Top are sung in German – end of october we’ve seen a similar presence but none of the tracks were inside the Top 10.

German language always has a heighth when Après Ski season is coming up – meaning we face the usual stupid hits sneaking through the charts. This week Markus Becker enters the list with a rework of his last single Heli-Heli Helikopter. For the Après Ski version Markus Becker invited Austrian Marco Mzee of The Mountain Brothers to join him. The new version can be found at number 67 – the video might show you what the party is about.

What a Man, Supertalent & Oktoberfest

A German movie still has the biggest impact on the German music chart. It is very successful What A Man – the comedy by and with new German darling Matthias Schweighöfer. So far one and a half million people watched the movie – it is still Number 4 at the movie charts after one months in theatres. Inside the singles chart three songs of the soundtrack appear. At Number 1 Marlon Roudette still stands. It is the sixth week at the top for New Age. Last male artist holding six weeks at the top was Bruno Mars who went Number 1 with grenade back in March and April. Due to the fact he had a two weeks break in his Number 1 run when Lady Gaga stormed to the top with her Born This Way the last male act spending six consecutive weeks at the top spot was Israel IZ Kamakawiwo’ole almost exactly one year ago. Over The Rainbow just disappeared out of the German list last week. It spent a whole 54 weeks in the charts.

The highest new entry at the German single’s chart is also related to the movie. It is the fresh released CD single Eiserner Steg by German singer Philipp Poisel. Like the number 1 track this one is a ballad too talking about how life could go on after a split. The previously unreleased track ends up with the demand of a last moment together.

Entering the German list at Number 21 it is the most successful single of Philip Poisel. So far he had two minor hits never reaching the upper half of the list. This song could be the breakthrough reigning him in a line with young and successful German singer songwriters like Tim Bendzko or Andreas Bourani.



Lena’s version on What A Man tumbles down the list 48 – 65 in its fourth chart week.

Hitmaker number 2 is newly aired Das Supertalent (German version of Britain’s Got Talent). Last week it was You Raise Me Up which found its way back into the list after being performed inside the TV show. This week it is Mama Do originally recorded by British Pixie Lott. The track had a 9 weeks chart run in 2009 climbing to Number 37 – not really a big success compared to the Number.1 run it had in Great Britain. Anyway – 13 years old Marlene Wenzig chose the song for performing at the show. Her applicating version available at youtube is of course only half that convincing like her singing on stage. Right after her performance the original shot back in the iTunes charts and finally can gain position 30 at the whole week survey. It is the highest ranking the song ever reached in Germany.


Hitmaking event number 3: the seasonal Oktoberfest. It is the chance for promoting Mallorca hits from last summer again. One of the surprising Schlager/Discofox hits of the year so far was I sing a Liad für dich (I Sing A Song For You -– in a very regional kind of spelling) by Austrian Andreas Gabalier. The single was a hit in his home country already summer 2010. The German audience first noticed it in March, when Carmen Nebel presented the young singer in her TV show. I sing a Liad für dich immediately hit the charts. It was a short visit cause the single was not available officially. It took the company till late July to launch the CD version. Last week the version by Andreas Gaballier rose to number 63 – the peak so far. This recent week the song climbs up 3 further places. Additionaly there is a new version entering the list offered by big Austrian Schlager star DJ Ötzi. Of course that new version of DJ Ötzi is much more a commercially produced tune. If one can find the song of Andreas Gabalier somehow authentic and candid – the recording of DJ Ötzi is completely calculated. It is just a song meaning nothing – all he needs is the beat and a melody. Even his outfit worn at the video tells you: that’s not the real live of DJ Ötzi – it is a costume.

The market again rewards the more obliging production. DJ Ötzi’s version enters the list at number 35. Honestly I suspected much more – seems the Schlager genre needs a little break or a re-invention.