We do have 13 new entries inside the recent media control list. That’s a in fact the second biggest turnover this year. Plus 5 re-entries which means 18 tracks not charted the week before.Do the charts speed up after a year long period of calmness? Well – six of the new entries are caused by just aired Bundesvision Song Contest ... will talk baout that later. First of all: a look at the very top.
Marlon Roudette stands the 7th week at the top and now matches the 7 weeks run of Alexandra Stan in July and August . New Age and Mr. Saxobeat both sharing the title longest running number 1 in 2011.
Sean Paul can rise up to Number 3 with Got 2 Luv U and equals the position of his so far biggest hit Get Busy back in 2003.
The highest new entry comes due to above mentioned Bundesvision Song Contest – Stefan Raab’s yearly celebrated TV event hardly copied from the Eurovision contest. This year’s winner Tim Bendzko can also gain the biggest commercial success. Wenn Worte meine Sprache wären (If Words Would Be My Language) is the title track of his album and a very romantic ballad. It is a track about the difficulties of naming feelings. In my opinion that is exactly the point from which this song suffers. Instead of finding surprising lyrics like predecessor Nur noch kurz die Welt retten the song uses well known elements of soul. Even a gospel choir sings softly in the background. – Well, a lot of people like the song. It won the contest – with the lowest result of points ever reached -– and it enters the sales charts at number 5.
Number 4 within the contest – second best sold track is Echt (Real) by duo Glasperlenspiel (Glass Bead Game). They were one of only a few real unknown acts and it’s given, that their sound is what people convinced. The single already entered the sales charts at a surprising number 13 three weeks ago. Than the track felt out of the top 20 and now jumps again 18 – 9.
Also new in the sales charts is number 7 of the contest Frida Gold with Unsere Liebe ist aus Gold (Our Love Is Made Out Of Gold). It is the third single of the band that can enter the German charts.
The second at the show Flo Mega can launch his song Zurück (Back) only at number 44 inside the chart due to it’s release as digital single only.
Kraftklub from Saxonia enter the list at 45 with Ich will nicht nach Berlin (I Don’t Wanna Go To Berlin). The contest saw them at number 5.
Jupiter Jones had a huge success with Still (Calm/Silent) – Immerfürimmer (Everforever) landed at number 6 at the contest -– the digital single’s sale give them a new entry at 59. Not at all a succeeder of their big hit.
Jennifer Rostock enter with Ich kann nicht mehr (I Can’t Anymore) at 60 – the band was number 8 at the contest.
Not only due to Bundesvision Song Contest the German chart is filled with German songs this week. We do have four German productions inside the Top 10 – three of them in German including two Bundesvision contestants.
Inside the Top 20 there are two further songs including new SEEED single Molotov / Wonderful Life that lands straight at number 12. It is the first release of the band in more than five years. Their last hit Ding (Thing) climbed to Number 5 in 2006. In between three members of the group started solo carreers. The most successfull was Peter Fox releasing three Top 10 hits and winning once the Bundesvision Song Contest.Boundzound and Dellé had some medium hits.
Now the big band is back. A new album is announced but not scheduled. The tracks Molotov and Wonderful Life were available as free downloads on the band’s homepage back in summer – although the freshly released EP now enters at number 12. I guess this can count as an evidence that free music doesn’t kill artists. Wonderful Life is a cover version of the 1987 hit from British Colin Vearncombe aka Black which raised to Number 2 in Germany.
All in all we do have 25 (!) German productions inside the charts 23of them are in German (plus two Austrian hits that are in German too). Media control reports that this is the highest rate since April this year. I guess nobody could say anymore that there is no interest in German languaged songs – it is to question whether this flashlight shows a more sustainable trend. Or is it really just the Bundesvision effect? Except the presented artists on TV only two can made it new to the charts:
New in this list is 23 – the first collaboration project of former rivals Bushido and Sido. The track So mach ich es is the first single from an upcoming album and is available as download only so far. A physical release will follow on 21st of October. The track tells the old story: Sido and Bushido are the latest combatants, the No.1 rappers and they need to tell this to the world. The video is very well equipped – it is more a gangster movie than a music clip. Probably MTV & Co will not air the video cause there are several scenes fitting the terminus explicit.
To watch the video you have to be logged in – sorry
The soundtrack of the video
Whether the track can rise much higher after it’s release on CD can be watched with tension. Both artists did not reach the Top 10 this year. It’s a shame for Germany’s most successful rappers .
A late Oktoberfest hit is Wenn die Wunderkerzen brennen (When The Sparklers Are Lighted On) offered by Schlager dinosaur Jürgen Drews. He started his career early in the 70s, than had a long long silent period until he came back in late 2009. Now he reigns as one of the most popular singer of the so called Mallorca scenery. Wenn die Wunderkerzen brennen immediately after its release ranks as the best selling track in this genre. Inside the German sales charts 2011 Jürgen Drews is the German artist with the longest time span of hits.
Finally the look which songs have a short comeback due to a performance at recent talent shows. Most loved track this week is Goodbye My Lover originally performed by James Blunt. 13 years old Lukas Mattioli sang the song at Das Supertalent on 1st October – the track re-enters at number 49.
Same show featured Okan Yasin an official Pitbull imitator. His performance propells the very first of the Cuban rap star I Know You Want Me (Calle Ocho) back in the list at number 76.
Showing posts with label Jupiter Jones. Show all posts
Showing posts with label Jupiter Jones. Show all posts
Do we have to fight for German music?
Let me tell you briefly whats going on in German mainstream music market: almost nothing! – The stories of the week are already told: Romanian summer pop is popular right now and a TV show generates some hits (even for big stars). Unfortunately that show prefers international music. But it is not that bad with German music.
Watching German productions in detail we witness Jupiter Jones finally overtaking Pietro Lombardi as the act with the best sold track. Although Still is dropping slowly 10–12 it will sneak around this regions for a few weeks more. But we do have to look for the next strong hit coming from Germany. It is not Tim Bendzko who performs strong again rising 17–15 with his Nur noch kurz die Welt retten (Just have to save the world). All in all we find still five German acts inside the top 20 – that’s a strong performance and I really do not understand, why there is again an initiative to promote German music ... or even worse: German lyrics! Of course radio stations in Germany do not love German lyrics but that’s a general problem – they also do not play popular hits. It is a marketing decision to focus on black music or more rock oriented sounds. There are some pure dance stations too. I guess the association for German Language should fight for a greater range of variety in music, airplay and language. That would be an idea!
I will tell you some more about new German music later – stay tuned!
Watching German productions in detail we witness Jupiter Jones finally overtaking Pietro Lombardi as the act with the best sold track. Although Still is dropping slowly 10–12 it will sneak around this regions for a few weeks more. But we do have to look for the next strong hit coming from Germany. It is not Tim Bendzko who performs strong again rising 17–15 with his Nur noch kurz die Welt retten (Just have to save the world). All in all we find still five German acts inside the top 20 – that’s a strong performance and I really do not understand, why there is again an initiative to promote German music ... or even worse: German lyrics! Of course radio stations in Germany do not love German lyrics but that’s a general problem – they also do not play popular hits. It is a marketing decision to focus on black music or more rock oriented sounds. There are some pure dance stations too. I guess the association for German Language should fight for a greater range of variety in music, airplay and language. That would be an idea!
I will tell you some more about new German music later – stay tuned!
Labels:
German songs,
Jupiter Jones
Jupiter Jones climbs into Top 10
Let’s start with an absolutely amazing news: Jupiter Jones – the new German super band – enters the Top 10 in Germany. Their single Still finally hit number 10 after a 14-week-rise. It is one of that beautiful stories bout slowly but steadily growing hits. It started all in March this year when Still finally hit the shops as a CD single. The track was available before as an acoustic version on downloads only. Performances on TV at more or less serious shows not targeted on a teenager audience made them popular amongst twens and thirtyners. Their start within the charts at number 32 was already a tough first look into the commercial mainstream. Much more surprising was the longer lasting interest in the CD single and finally much more radio stations than the few alternate oriented began to play Still. Right now the song is the most played German one ranking at number 13 at the Nielsen Airplay Chart.
Number 10 in the official media control list means Still is the second best sold German track this week. Some copies more sold Pietro Lombardi’s song Call My Name. Seeing the latter one heavily tumbling down the list it is very likely having Jupiter Jones back as the commercially most succesfull German act of the week. The band already gained that honour in Mid-May when German tracks were kind of underrepresented in the charts. – In some ways Still remains on the success of Halt dich an mir fest by Revolverheld feat. Marta Jandová that had a strong chart run end of last year and still sneaking around the lower Top50.
Third best German track is San Francisco the new single offered by cascada. I just dropped a few words on this release on thursday.
Second best German CD start goes to rapper Bushido. He is far and away the most productive German hiphop star of the past few years. Wärst du immer noch hier? (Would You Still Be Here?) is the second single released from his recent album Jenseits von Gut und Böse (Beyond Good And Evil) and it is his seventh single within two years. In the 10 years of his career he was able to launch 29 tracks into the German charts so far.
There ain’t much about to tell about the new song. One could love the lyrics of Bushido or hate them – nothing in between. The new track is for sure one of the least controversial. It is a questioning about how luxury might influence emotions and love. Very philosophically it could lead to an analysis of the dependency between wealthiness and personal luck or the possibility of happiness. Of course Bushido himself does not step that far. He just asks some questions. As we all know the world of Bushido and his attitude against women the track is much more a further elegy bout only skin-deep women.
European tracks
Having Romanian Alexandra Stan and German Jupiter Jones entering the Top 10 we now count 8 of 10 top tracks with at least one European artist involved. Much more amazing the fact that of this 8 tracks only two count for British artists. Taking the 20 most sold tracks in account we still have 14 of them officially (co-)credited to European artists including five coming directly from Germany.
All that meaning: there is a strong connection to European music right now in Germany. American stars are pushed by the industry strongly and they are very present at airplay and adverts – though European acts might proof their relevance and a good sense of what’s going on in European peoples life.
Number 10 in the official media control list means Still is the second best sold German track this week. Some copies more sold Pietro Lombardi’s song Call My Name. Seeing the latter one heavily tumbling down the list it is very likely having Jupiter Jones back as the commercially most succesfull German act of the week. The band already gained that honour in Mid-May when German tracks were kind of underrepresented in the charts. – In some ways Still remains on the success of Halt dich an mir fest by Revolverheld feat. Marta Jandová that had a strong chart run end of last year and still sneaking around the lower Top50.
Third best German track is San Francisco the new single offered by cascada. I just dropped a few words on this release on thursday.
Second best German CD start goes to rapper Bushido. He is far and away the most productive German hiphop star of the past few years. Wärst du immer noch hier? (Would You Still Be Here?) is the second single released from his recent album Jenseits von Gut und Böse (Beyond Good And Evil) and it is his seventh single within two years. In the 10 years of his career he was able to launch 29 tracks into the German charts so far.
There ain’t much about to tell about the new song. One could love the lyrics of Bushido or hate them – nothing in between. The new track is for sure one of the least controversial. It is a questioning about how luxury might influence emotions and love. Very philosophically it could lead to an analysis of the dependency between wealthiness and personal luck or the possibility of happiness. Of course Bushido himself does not step that far. He just asks some questions. As we all know the world of Bushido and his attitude against women the track is much more a further elegy bout only skin-deep women.
European tracks
Having Romanian Alexandra Stan and German Jupiter Jones entering the Top 10 we now count 8 of 10 top tracks with at least one European artist involved. Much more amazing the fact that of this 8 tracks only two count for British artists. Taking the 20 most sold tracks in account we still have 14 of them officially (co-)credited to European artists including five coming directly from Germany.
All that meaning: there is a strong connection to European music right now in Germany. American stars are pushed by the industry strongly and they are very present at airplay and adverts – though European acts might proof their relevance and a good sense of what’s going on in European peoples life.
Labels:
Bushido,
European songs,
Jupiter Jones
Having two new entries inside the Top 10 overshadows all other movements a little. There are two climbers worth to notice. Dutch singer Caro Emerald rises two places to number 4 after her song A Night Like This was presented within the TV show Let’s Dance. The plot of the show is watching VIPs trying to do standard dances like rumba, cha cha cha, waltz et al. A Night Like This was used as the music for the Cha-cha-cha. For Caro Emerald number 4 is the highest place she ever managed to climb on. It took the song 11 weeks to get here.
The second climber is the all star crew around Pitbull. Give Me Everything in its second chart week can „break“ into the Top 10 giving leading Pitbull a follow up to his recent Number one On The Floor (alongsides main star JLO) and a fourth Top 10 hit as a credited artist. NE-YO after an almost three years break can return to the Top 10. Give Me Everything is no more than his second chart hit climbing that high. For the really first time Afrojack & Nayer can reach the upper 10 ranks.
A big jump up the list is done by Aloe Blacc. After Loving You Is Killing Me appeared as a background track at Germany’s Next Top Model the song climbed to number 16 two weeks ago. The interest in the song died soon – last week Loving You Is Killing Me tumbled down to number 30 again. Until it was performed in the semi final of DSDS by Ardian Bujupi – the looser of that almost last episode. Suddenly a huge fan base of the TV show recognised the song as worth of be buyed. Loving You Is Killing Me ranks now at number 12 – making it the best performing song of the show within the chart. And I really wonder why Ardian had to leave the show ...
Final winner Pietro Lombardi only can propell Wenn das Liebe ist (If it is love) by Glashaus (Glass House) to position 61.
A future hit is arriving within the Top 20 this recent week with Set Fire To The Rain by Adele is climbing four further places to number 20. Set Fire To The Rain is set to be the third single from her album 21. In Belgium, the Netherlands and in Italy the song already went to top hit status climbing into the Top 5. In Germany the interest for the song is grewing steadily finding ist way to the Top 20 as an digital album cut without any officially announced release date. That’s in fact a very unusual chart career. Most of the tracks listed are proper set and supported by commercials, TV adverts or similar presence in the media. Not so Set Fire To The Rain – probably another sign of possible democratization of the charts.
The German acts
Finally they did it! Jupiter Jones grab with their ballad Still the crown of being the most sold German production. It took the band 9 weeks and of course the four guys benefit from the lack of very strong German releases. In the official list by media control they slide 18 – 19 being the only German track within the Top 20.
Number 2 of the interne German tracks sales chart is Groove Coverage and their take on Angeline. I dropped a few words about it already last wednesday.
Leading the survey for six weeks the heydays of Strobo Pop are history right now. Die Atzen mit Nena drop 17 – 23 officially standing here as the third best sold German track.
The most successfull album by a German artist is still Schiffsverkehr (Ship Traffic) offered by Herbert Grönemeyer. New in the list is Cassandra Steen with her third album Mir so nah (So Close To Me) which lands at position 5 in the album chart. Supported by this success the leading single Gebt alles (Give All) is jumping back the singles list up to position 36.
These days Europe is looking at Dusseldorf. The Eurovision Song Contest takes place and the attention of the medias is huge. Since it was announced that Dusseldorf will host the contest some articles have been wrote why that boring city? Is it really the capital of pop music? – Probably it is not the German capital, but it aint at all a no go area for popular music. Probably most known the synth electro band Kraftwerk that had a few hits in the 70s and early 80s. These days a further band is bringing Dusseldorf back to the musical map of Germany. Broilers (meaning broiler / roast chicken but is used in Germany only regional; funny: the English plural S) are a fun punk band playing music for more than 15 years. 2011 they moved to a new label: JKP – and now finally entering their first chart hit. Harter Weg (Hard Way) starts its life at position 41. Probably real punk fans might say the new sound of Broilers is too fun, too commercial … well, real punk never made its way into German charts. It was always a funny or ironic version … or even worse, a mainstream adapted cleansed kind of punk. I am not here to judge about that – find your own opinion:
After start of the movie Kids Turbo the soundtrack of it also rises up the list. Though Scooter’s Friends Turbo can’t impress that much jumping only 59 – 43. It is so far the lowest charting track in their whole career.
Assuming that there is something like a continental connection and productions from Europe should have a stronger link to Germany than others I always have a special look at European releases. In the case of Romanian INNA the link to Switzerland, France or the UK seems much stronger than the one to Germany. At least what the official charts can tell. Sun Is Up is listed in the dance charts and in the iTunes charts for weeks . It never made the way into the official charts. After being used on TV in the Germany’s Next Top Model show the track can enter the list. Sun Is Up jumps to number 26 on downloads only. It is this the highest place INNA made in her two and a half year long chart career.
Norwegian duo MADCON released a third single from their album Contraband. For Outrun The Sun they took also Maad*Moiselle into the studio. The single starts right now at position 27 just in the moment when Freaky Like Me slides down 34 – 46 in its 24th chart week. Even last year’s Glow is still appearing in the charts tumbling down this week 49 – 65. Certainly the new track will not match the success of its two predecessors.
The second climber is the all star crew around Pitbull. Give Me Everything in its second chart week can „break“ into the Top 10 giving leading Pitbull a follow up to his recent Number one On The Floor (alongsides main star JLO) and a fourth Top 10 hit as a credited artist. NE-YO after an almost three years break can return to the Top 10. Give Me Everything is no more than his second chart hit climbing that high. For the really first time Afrojack & Nayer can reach the upper 10 ranks.
A big jump up the list is done by Aloe Blacc. After Loving You Is Killing Me appeared as a background track at Germany’s Next Top Model the song climbed to number 16 two weeks ago. The interest in the song died soon – last week Loving You Is Killing Me tumbled down to number 30 again. Until it was performed in the semi final of DSDS by Ardian Bujupi – the looser of that almost last episode. Suddenly a huge fan base of the TV show recognised the song as worth of be buyed. Loving You Is Killing Me ranks now at number 12 – making it the best performing song of the show within the chart. And I really wonder why Ardian had to leave the show ...
Final winner Pietro Lombardi only can propell Wenn das Liebe ist (If it is love) by Glashaus (Glass House) to position 61.
A future hit is arriving within the Top 20 this recent week with Set Fire To The Rain by Adele is climbing four further places to number 20. Set Fire To The Rain is set to be the third single from her album 21. In Belgium, the Netherlands and in Italy the song already went to top hit status climbing into the Top 5. In Germany the interest for the song is grewing steadily finding ist way to the Top 20 as an digital album cut without any officially announced release date. That’s in fact a very unusual chart career. Most of the tracks listed are proper set and supported by commercials, TV adverts or similar presence in the media. Not so Set Fire To The Rain – probably another sign of possible democratization of the charts.
The German acts
Finally they did it! Jupiter Jones grab with their ballad Still the crown of being the most sold German production. It took the band 9 weeks and of course the four guys benefit from the lack of very strong German releases. In the official list by media control they slide 18 – 19 being the only German track within the Top 20.
Number 2 of the interne German tracks sales chart is Groove Coverage and their take on Angeline. I dropped a few words about it already last wednesday.
Leading the survey for six weeks the heydays of Strobo Pop are history right now. Die Atzen mit Nena drop 17 – 23 officially standing here as the third best sold German track.
The most successfull album by a German artist is still Schiffsverkehr (Ship Traffic) offered by Herbert Grönemeyer. New in the list is Cassandra Steen with her third album Mir so nah (So Close To Me) which lands at position 5 in the album chart. Supported by this success the leading single Gebt alles (Give All) is jumping back the singles list up to position 36.
These days Europe is looking at Dusseldorf. The Eurovision Song Contest takes place and the attention of the medias is huge. Since it was announced that Dusseldorf will host the contest some articles have been wrote why that boring city? Is it really the capital of pop music? – Probably it is not the German capital, but it aint at all a no go area for popular music. Probably most known the synth electro band Kraftwerk that had a few hits in the 70s and early 80s. These days a further band is bringing Dusseldorf back to the musical map of Germany. Broilers (meaning broiler / roast chicken but is used in Germany only regional; funny: the English plural S) are a fun punk band playing music for more than 15 years. 2011 they moved to a new label: JKP – and now finally entering their first chart hit. Harter Weg (Hard Way) starts its life at position 41. Probably real punk fans might say the new sound of Broilers is too fun, too commercial … well, real punk never made its way into German charts. It was always a funny or ironic version … or even worse, a mainstream adapted cleansed kind of punk. I am not here to judge about that – find your own opinion:
After start of the movie Kids Turbo the soundtrack of it also rises up the list. Though Scooter’s Friends Turbo can’t impress that much jumping only 59 – 43. It is so far the lowest charting track in their whole career.
Assuming that there is something like a continental connection and productions from Europe should have a stronger link to Germany than others I always have a special look at European releases. In the case of Romanian INNA the link to Switzerland, France or the UK seems much stronger than the one to Germany. At least what the official charts can tell. Sun Is Up is listed in the dance charts and in the iTunes charts for weeks . It never made the way into the official charts. After being used on TV in the Germany’s Next Top Model show the track can enter the list. Sun Is Up jumps to number 26 on downloads only. It is this the highest place INNA made in her two and a half year long chart career.
Norwegian duo MADCON released a third single from their album Contraband. For Outrun The Sun they took also Maad*Moiselle into the studio. The single starts right now at position 27 just in the moment when Freaky Like Me slides down 34 – 46 in its 24th chart week. Even last year’s Glow is still appearing in the charts tumbling down this week 49 – 65. Certainly the new track will not match the success of its two predecessors.
Who loves German music?
Germany’s music lovers are lazy or tired of buying always the same sound. Or lazy of buying new CDs at all. Why do you spend money for music? Cause you are crazy about it, you want to listen to it again and again, you want to own it. Mostly you need no longer then a few days and you are looking for some new stuff. That’s how the music market all over the world works. It doesn’t work so well right now in Germany. We do have an almost static Top 15 this week. The newest song inside the Top 15 is number 2 – Sweat by Snoop Dogg vs David Guetta which is in the list for four weeks. A complete month without any attracting new release.
Highest new climber to the upper regions sits at 16 with Aloe Blacc jumping 17 places and finally pushing his Loving You Is Killing Me to Top 20 status. In its fourth chart week the track shows as a real successor of huge hit I Need A Dollar that climbed up to number 4 last autumn. The new track appears at some compilations such as BRAVO Black Hits 24 or the soundtrack of Germanys Next Top Model. Due to that TV show the track finally attracts some more people than it could as a pure CD single. By the way – CD market in Germany seems more and more under pressure. The Aloe Blacc single is not available everywhere. Even the biggest online seller amazon only lists the digital download version. That is a reason too why the track does not show up higher in the list. The rule of chart compiling media control of counting the amount of money spent on musci sales turns into a clear detriment for online singles. Probably this policy will be skipped very soon.
Almost the same story to tell about German production. We had to welcome in the last few weeks a lot of new German music – but the most successful track is still Strobo Pop by Die Atzen mit Nena which goes no higher than number 18 this week.
Number 2 of the German only list is occupied by Jupiter Jones and their first single hit Still. The band had some TV appearances – all outside the classic music industry shows. Finally they also appearedin the soap opera Hand aufs Herz (To be honest / Hand on your heart) which reaches a more younger audience. That constant presence made the single Still kind of a slow burner. In its seventh chart week the track reaches the Top 20 – right at number 20.
The TV performance at INA’s night – unplugged
Back as one of the three most popular (most sold) German tracks is Berlin City Girl by Berlin culcha candela. The track slides one place down in the official chart to number 32.It is already the14th chart week.
Talking bout German music we should have a look to the album charts. Highest new entry there are The Baseballs. Their second album Strings’n’stripes enters the list at number 6. Sounds good isn’t it? But let’s have a look outside Germany. In Austria the album starts at number 3, in Switzerland even at number 1. Topping the story their debut album Strike hit the list in the UK at number 4 – Germany only saw it at number 6. You probably know what I am going to tell you: German music is not that popular in Germany as it is outside. No wonder the single of The Baseballs Hello only enters the list at 100. In Austria it already climbed to number 41, Switzerland reports number 68. The original by Martin Solveig + Dragonette reigns in Germany still at number 11.
New entry at number 18 of the album chart are Frida Gold. Their debut single Zeig mir wie du tanzt (Show Me How You Dance) was highly promoted in November last year. Now the album Juwel (Jewel) follows and can gain number 18. Simoultaneously the second single Wovon sollen wir träumen (Of What We Should Dream Of) is climbing back the singles list to number 48.
Back in the charts after a one year break is the most successful act of the past two decades Scooter. Friends Turbo is the 45th chart entry for the trio. As they were a closed phenomenon always existing completely besides all trends and hypes they finally start to self-reference. Friends Turbo is nothing less than a cover of their number 3 hit Friends released in 1995. The honour of bringing Scooter back to life (although they never were dead in between) goes to a Dutch movie which just now came to German theatres: New Kids Turbo. The movie broke end of last year the Dutch record of people watching it at the very first weekend. In Germany the movie shot to number 1 at the first week too. So – be aware Friends Turbo jumping up the list in two weeks also. Meanwhile Scooter does have an 18th consecutive year at least one chart hit per year.
„Friends Turbo” and the Original of 1995
Highest new climber to the upper regions sits at 16 with Aloe Blacc jumping 17 places and finally pushing his Loving You Is Killing Me to Top 20 status. In its fourth chart week the track shows as a real successor of huge hit I Need A Dollar that climbed up to number 4 last autumn. The new track appears at some compilations such as BRAVO Black Hits 24 or the soundtrack of Germanys Next Top Model. Due to that TV show the track finally attracts some more people than it could as a pure CD single. By the way – CD market in Germany seems more and more under pressure. The Aloe Blacc single is not available everywhere. Even the biggest online seller amazon only lists the digital download version. That is a reason too why the track does not show up higher in the list. The rule of chart compiling media control of counting the amount of money spent on musci sales turns into a clear detriment for online singles. Probably this policy will be skipped very soon.
Almost the same story to tell about German production. We had to welcome in the last few weeks a lot of new German music – but the most successful track is still Strobo Pop by Die Atzen mit Nena which goes no higher than number 18 this week.
Number 2 of the German only list is occupied by Jupiter Jones and their first single hit Still. The band had some TV appearances – all outside the classic music industry shows. Finally they also appearedin the soap opera Hand aufs Herz (To be honest / Hand on your heart) which reaches a more younger audience. That constant presence made the single Still kind of a slow burner. In its seventh chart week the track reaches the Top 20 – right at number 20.
The TV performance at INA’s night – unplugged
Back as one of the three most popular (most sold) German tracks is Berlin City Girl by Berlin culcha candela. The track slides one place down in the official chart to number 32.It is already the14th chart week.
Talking bout German music we should have a look to the album charts. Highest new entry there are The Baseballs. Their second album Strings’n’stripes enters the list at number 6. Sounds good isn’t it? But let’s have a look outside Germany. In Austria the album starts at number 3, in Switzerland even at number 1. Topping the story their debut album Strike hit the list in the UK at number 4 – Germany only saw it at number 6. You probably know what I am going to tell you: German music is not that popular in Germany as it is outside. No wonder the single of The Baseballs Hello only enters the list at 100. In Austria it already climbed to number 41, Switzerland reports number 68. The original by Martin Solveig + Dragonette reigns in Germany still at number 11.
New entry at number 18 of the album chart are Frida Gold. Their debut single Zeig mir wie du tanzt (Show Me How You Dance) was highly promoted in November last year. Now the album Juwel (Jewel) follows and can gain number 18. Simoultaneously the second single Wovon sollen wir träumen (Of What We Should Dream Of) is climbing back the singles list to number 48.
Back in the charts after a one year break is the most successful act of the past two decades Scooter. Friends Turbo is the 45th chart entry for the trio. As they were a closed phenomenon always existing completely besides all trends and hypes they finally start to self-reference. Friends Turbo is nothing less than a cover of their number 3 hit Friends released in 1995. The honour of bringing Scooter back to life (although they never were dead in between) goes to a Dutch movie which just now came to German theatres: New Kids Turbo. The movie broke end of last year the Dutch record of people watching it at the very first weekend. In Germany the movie shot to number 1 at the first week too. So – be aware Friends Turbo jumping up the list in two weeks also. Meanwhile Scooter does have an 18th consecutive year at least one chart hit per year.
„Friends Turbo” and the Original of 1995
German track invasion II
A chart week serving us with a few surprises. The biggest ones are told already. But there are still some more left. One of the most impressive chart runs finally ends up within the Top 10 this week. Martin Solveig + Dragonette lift up their Hello to #7. It is an unbelievable seven places jumps. The last weeks it was rising much softer – now the track ultimately catched fire. No wonder – you can hear the catchy hookline everywhere you go: in super markets, on the radio, on the streets … And the song is used within the recent commercial spot for the new Nokia E7 smartphone.
Internationally the track topped the charts in Austria, Belgium and the Netherlands. And it went to #13 in the UK. In Germany it took the Canadian band and the remixing DJ full 19 weeks to reach their so far highest position. Meaning they entered the charts in November last year at an underrated #44.
The last track having such a long run to reach its peak was Alicia Keys’ solo take on Empire State Of Mind (Part II) Broken Hearted. It occupied #35 in its 21st chart week at the end of November last year.
The best CD release is done by Chris Brown. But Yeah 3x shows a pretty untypical chart move as it looses one place landing at #9. Usually a newly available CD issue boosts the sales summit. Probably we’re facing here a completely new kind of star, whose audience is more related to the digital use of music.
A look at the German tracks within this week’s list.
Allthough five of the ten new entries this week come from Germany there is on top nothing new. As the last two weeks Lena and her Eurovision track Taken by a Stranger is earning the crown for being the most sold German production. The track dips 7 – 8 … probably it will have its second rise when the big Eurovision show arrives. Also the runners up of the inofficial national list are holding place with decreasing sales: Milk&Sugar vs. Vaya Con Dios are with Hey (Nah Neh Nah) still the German #2 sliding down 13 – 14 meanwhile culcha candela’s Berlin City Girl as the third highest German track (and the first with German lyrics) moves 17 – 16.
The most successful new German production entering the charts this week comes from Jupiter Jones. The band exists already for nine years. They released four albums on the independent label Mathilda and Titus’ Tonträger. Last summer they signed a contract with Columbia Berlin /Sony. Now a new self titled album and a single Still (Silent) were released. It is a soft guitar rock song with a clear romantic note.The track enters the list at #32.
Bullmeister is a young trio originally based in Heidelberg now living in Berlin which offers fresh electro dance pop. Their song Girls Beautiful was chosen by TV channel Pro7 to promote the sixth season of Germany’s Next Top Model.The first episode was aired on 3rd March – one day later the CD was available. It enters the list now at #39. The show itself had caused bigger hits already.
One of the prototypes of German synthie sound is Alphaville. They released a second single from their comeback album Catching Rays On Giant. That album indeed is the second successfull release of the former trio. The released single did not have the massive impact other tracks of the band had. And so Song For No One also creeps only up to #50. Although Alphaville could count as one of the most influential bands in Germany the new single is only their 11th chart hit.
Video: MyVIdeo, the band’s homepage
The hope of German hiphop MARTERIA sets out a second attempt of entering the mainstream. Although the artist is recording tracks since years the commercial breakthrough came last summer first when his album Zum Glück in die Zukunft (For Happiness To The Future) was released by company Four Music. Leading track Verstrahlt (play on words for stoned / lucky also radiated) became a medium hit but different to the usual life of German hiphop tracks it was kind of a long seller entering the list again four months after its release. Sekundenschlaf (Microsleep) is the second release from the album. It is a collaboration with Peter Fox which merges dancehall-reggea-style with hiphop and pop. On this melange MARTERIA is reflecting about the shortness of life, the way of getting older, of passing by youth and the loss of wildness and dreams. Like a lot of German hiphop lyrics these are kind of depressiv and surrendering too. In difference to other artists MARTERIA does not believe in violence or hedonism as a solution. That very grounded attitude might be the reason why he is attractive for a lot of people – but not for typical hip hop fans.
Sekundenschlaf enters the list at #64 – in comparison to its predecessor it is very low down and will probably leave the charts very soon again.
Watch the video here.
A band still waiting for the big breakthrough is JENIX. They earned some publicity by touring with Silbermond and releasing together a charity single for Haiti in summer last year . The CD featured two cover songs by the bands – on that release Here We Go Again found its way to the charts for the first time. Now the original recording by JENIX was released again as a solo CD single. It enters the list at #95.
Carnival caused a small invasion of rising German tracks further down the chart this week. The biggest seasonal seller comes from Cologne band HÖHNER. (dialect for Chicks). Their Schenk mir dein Herz (Give Me Your Heart) jumps 53 – 33. It is a somehow new carnival hit as it was recorded in autumn 2009 and collected only 17 chart weeks so far.
Also No.2 on the list is a new one: entertainer and singer Mickie Krause offered in January his Schatzi, schenk mir ein Foto (Honey, Give Me A Photograph). It entered low down at #77 in its first week dipping in and out the charts the following weeks. Finally it becomes a medium hit jumping to #46 this week. It is the highest position for Mickie Krause since his FIFA world championchip related Orange trägt nur die Müllabfuhr (Only the refuse collection service is wearing orange) went to #31 in 2008.
Most successfull „classic“ carnival hit is So ein schöner Tag (Fliegerlied) (What a beautiful day – Song of the pilot). In 2008 the children song was released by Bavarian DONIKKL finding a lot of fans at Munich Oktoberfest and finally became a chart hit – there are several versions available, most popular became the one by Tim Toupet reaching position 6 in February 2009.
Finding its way back to the upper half of the German chart is caused not only by the regular carneval events. It had big support by the DSDS show (Germany’s version on Idols) featuring Après Ski Hits – which is very close to carnival hits. Marco Angelini performed the Fliegerlied. Well –the track sits pretty this week at #49 in its 50th chart week. It is the highest position since March 2010 – all versions together spent 76 weeks within the charts so far.
The DSDS show helped a lot of further tracks to a boosted chart performance. First of all the new #1 Born This Way by Lady Gaga is a direct effect of the show performance by Zazou Mall. Also the highest new entry Tonight by Enrique Iglesias feat. Ludacris & DJ Frank E had its airing. It was performed by Ardian Bujupi. The Norwegian duo MADCON sees their Freaky Like Me jumping back 17 places into the Top 20 after a performance of DSDS favourite Pietro Lombardi. It is the 16th week of the track and the highest position since beginning of January. And even the track spending most weeks within the German charts – Ein Stern (der deinen Namen trägt) (A Star – which is named after you) by DJ Ötzi & Nik P. – manages to reappear at #81 after a performance in the show.
TV is actually the most proper instrument to launch hits in Germany: DSDS, Germany’s Next Top Model … and since 4th March Die Ultimative Chart-Show also supply the masses with newer and older sounds. The latter one is a very special form: host Oliver Geissen is presenting the best hits under a chosen motto. The show started in 2003 and became very popular. Compilations on CD were released . On 4th March the 90th show was aired under the device „The most successful synthie pop hits“. Within the list and on stage performed Faithless their burner Insomnia which immediately also re-enters the chart at #41. It is the 52nd chart week of the track – counted all versions and remixes since 1997 together.
Looking at the German list sees two female artists entering who are not German but from the neighbourhood and worth be mentioned here as well:
The second song of German X Factor winner Edita from Switzerland comes three months after her first success. Meanwhile she changed her nameonly called by her first name right now. The sound did not change that much – very unspecific mainstream pop. The Key starts its chart life at #51.
And finally french singer ZAZ enters the German market. After Je Veux became a hit in France in May/June last year and later on in Belgium and Switzerland it is a now a new entry at #36 in Germany aussi.
Internationally the track topped the charts in Austria, Belgium and the Netherlands. And it went to #13 in the UK. In Germany it took the Canadian band and the remixing DJ full 19 weeks to reach their so far highest position. Meaning they entered the charts in November last year at an underrated #44.
The last track having such a long run to reach its peak was Alicia Keys’ solo take on Empire State Of Mind (Part II) Broken Hearted. It occupied #35 in its 21st chart week at the end of November last year.
The best CD release is done by Chris Brown. But Yeah 3x shows a pretty untypical chart move as it looses one place landing at #9. Usually a newly available CD issue boosts the sales summit. Probably we’re facing here a completely new kind of star, whose audience is more related to the digital use of music.
A look at the German tracks within this week’s list.
Allthough five of the ten new entries this week come from Germany there is on top nothing new. As the last two weeks Lena and her Eurovision track Taken by a Stranger is earning the crown for being the most sold German production. The track dips 7 – 8 … probably it will have its second rise when the big Eurovision show arrives. Also the runners up of the inofficial national list are holding place with decreasing sales: Milk&Sugar vs. Vaya Con Dios are with Hey (Nah Neh Nah) still the German #2 sliding down 13 – 14 meanwhile culcha candela’s Berlin City Girl as the third highest German track (and the first with German lyrics) moves 17 – 16.
The most successful new German production entering the charts this week comes from Jupiter Jones. The band exists already for nine years. They released four albums on the independent label Mathilda and Titus’ Tonträger. Last summer they signed a contract with Columbia Berlin /Sony. Now a new self titled album and a single Still (Silent) were released. It is a soft guitar rock song with a clear romantic note.The track enters the list at #32.
Bullmeister is a young trio originally based in Heidelberg now living in Berlin which offers fresh electro dance pop. Their song Girls Beautiful was chosen by TV channel Pro7 to promote the sixth season of Germany’s Next Top Model.The first episode was aired on 3rd March – one day later the CD was available. It enters the list now at #39. The show itself had caused bigger hits already.
One of the prototypes of German synthie sound is Alphaville. They released a second single from their comeback album Catching Rays On Giant. That album indeed is the second successfull release of the former trio. The released single did not have the massive impact other tracks of the band had. And so Song For No One also creeps only up to #50. Although Alphaville could count as one of the most influential bands in Germany the new single is only their 11th chart hit.
Video: MyVIdeo, the band’s homepage
The hope of German hiphop MARTERIA sets out a second attempt of entering the mainstream. Although the artist is recording tracks since years the commercial breakthrough came last summer first when his album Zum Glück in die Zukunft (For Happiness To The Future) was released by company Four Music. Leading track Verstrahlt (play on words for stoned / lucky also radiated) became a medium hit but different to the usual life of German hiphop tracks it was kind of a long seller entering the list again four months after its release. Sekundenschlaf (Microsleep) is the second release from the album. It is a collaboration with Peter Fox which merges dancehall-reggea-style with hiphop and pop. On this melange MARTERIA is reflecting about the shortness of life, the way of getting older, of passing by youth and the loss of wildness and dreams. Like a lot of German hiphop lyrics these are kind of depressiv and surrendering too. In difference to other artists MARTERIA does not believe in violence or hedonism as a solution. That very grounded attitude might be the reason why he is attractive for a lot of people – but not for typical hip hop fans.
Sekundenschlaf enters the list at #64 – in comparison to its predecessor it is very low down and will probably leave the charts very soon again.
Watch the video here.
A band still waiting for the big breakthrough is JENIX. They earned some publicity by touring with Silbermond and releasing together a charity single for Haiti in summer last year . The CD featured two cover songs by the bands – on that release Here We Go Again found its way to the charts for the first time. Now the original recording by JENIX was released again as a solo CD single. It enters the list at #95.
Carnival caused a small invasion of rising German tracks further down the chart this week. The biggest seasonal seller comes from Cologne band HÖHNER. (dialect for Chicks). Their Schenk mir dein Herz (Give Me Your Heart) jumps 53 – 33. It is a somehow new carnival hit as it was recorded in autumn 2009 and collected only 17 chart weeks so far.
Also No.2 on the list is a new one: entertainer and singer Mickie Krause offered in January his Schatzi, schenk mir ein Foto (Honey, Give Me A Photograph). It entered low down at #77 in its first week dipping in and out the charts the following weeks. Finally it becomes a medium hit jumping to #46 this week. It is the highest position for Mickie Krause since his FIFA world championchip related Orange trägt nur die Müllabfuhr (Only the refuse collection service is wearing orange) went to #31 in 2008.
Most successfull „classic“ carnival hit is So ein schöner Tag (Fliegerlied) (What a beautiful day – Song of the pilot). In 2008 the children song was released by Bavarian DONIKKL finding a lot of fans at Munich Oktoberfest and finally became a chart hit – there are several versions available, most popular became the one by Tim Toupet reaching position 6 in February 2009.
Finding its way back to the upper half of the German chart is caused not only by the regular carneval events. It had big support by the DSDS show (Germany’s version on Idols) featuring Après Ski Hits – which is very close to carnival hits. Marco Angelini performed the Fliegerlied. Well –the track sits pretty this week at #49 in its 50th chart week. It is the highest position since March 2010 – all versions together spent 76 weeks within the charts so far.
The DSDS show helped a lot of further tracks to a boosted chart performance. First of all the new #1 Born This Way by Lady Gaga is a direct effect of the show performance by Zazou Mall. Also the highest new entry Tonight by Enrique Iglesias feat. Ludacris & DJ Frank E had its airing. It was performed by Ardian Bujupi. The Norwegian duo MADCON sees their Freaky Like Me jumping back 17 places into the Top 20 after a performance of DSDS favourite Pietro Lombardi. It is the 16th week of the track and the highest position since beginning of January. And even the track spending most weeks within the German charts – Ein Stern (der deinen Namen trägt) (A Star – which is named after you) by DJ Ötzi & Nik P. – manages to reappear at #81 after a performance in the show.
TV is actually the most proper instrument to launch hits in Germany: DSDS, Germany’s Next Top Model … and since 4th March Die Ultimative Chart-Show also supply the masses with newer and older sounds. The latter one is a very special form: host Oliver Geissen is presenting the best hits under a chosen motto. The show started in 2003 and became very popular. Compilations on CD were released . On 4th March the 90th show was aired under the device „The most successful synthie pop hits“. Within the list and on stage performed Faithless their burner Insomnia which immediately also re-enters the chart at #41. It is the 52nd chart week of the track – counted all versions and remixes since 1997 together.
Looking at the German list sees two female artists entering who are not German but from the neighbourhood and worth be mentioned here as well:
The second song of German X Factor winner Edita from Switzerland comes three months after her first success. Meanwhile she changed her nameonly called by her first name right now. The sound did not change that much – very unspecific mainstream pop. The Key starts its chart life at #51.
And finally french singer ZAZ enters the German market. After Je Veux became a hit in France in May/June last year and later on in Belgium and Switzerland it is a now a new entry at #36 in Germany aussi.
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